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TALES OF A NEW YORK CITY MAÎTRE D'

An overlong yet vivid, candid account of an admirable restaurant career.

An industry veteran dishes on more than three decades of service in New York City’s hottest restaurants.

“The restaurant industry is not just about truffles and sweetbreads, caviar and cream, a prime fillet of beef or a freshly caught Dover sole. It’s also about sex, drugs, and an array of misbehaviors perpetrated by both staff and guests.” So writes Cecchi-Azzolina in the introduction, highlighting the reality that intertwined with the glamour of fine dining is plenty of bad behavior. The author grew up in Bensonhurst, Brooklyn, and started working at a local luncheonette while in high school, where he learned the basics of the business. He moved to Florida and attended college, then back to the city to pursue his master’s degree in theater at NYU. After a stint at La Rousse, the author went to “Michael ‘Buzzy’ O’Keeffe’s soon-to-be-mecca to WASP cuisine and the yacht-club lifestyle, the Water Club.” Then it was on to the River Café, an even hotter venture, where Cecchi-Azzolina was named captain of the front of the house. He eventually became the maître d’hôtel at Le Coucou, which won a James Beard Award during his tenure. The author’s account of life in the restaurant industry is fast-paced, long on the meticulous details of service, unsparing of the salacious tales of sex, drugs, alcohol, run-ins with the mob, “jumpers” within view of the River Café, and much more. Readers interested in the who’s who of the NYC celebrity world will not be disappointed, as the high-profile clientele the author mentions runs the gamut from actors and musicians to international ambassadors to “the absolutely horrid Anna Wintour.” Cecchi-Azzolina’s prose can border on abrasive and overly detailed, but at its best, his tales are entertaining and affecting, as when he describes the toll the AIDS epidemic took on his colleagues in the industry. His honesty in acknowledging the many ills of the industry’s past and its continued long journey to legitimacy is enlightening and refreshing.

An overlong yet vivid, candid account of an admirable restaurant career.

Pub Date: Dec. 6, 2022

ISBN: 978-1-250-28198-2

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Sept. 16, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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  • New York Times Bestseller

A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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