Grade-A Connelly. The dark forces arrayed against the hero turn out to be disappointingly toothless, but everything else...
Harry Bosch, balancing a new pair of gigs in greater LA, tackles two cases, one of them official, one he struggles to keep as private as can be.
Now that he’s settled the lawsuit he brought against the LAPD for having forced him into retirement, Harry (The Crossing, 2015, etc.) is working as an unsalaried, part-time reservist for the San Fernando Police Department while keeping his license as a private investigator. Just as the San Fernando force is decimated by the layoffs that made Harry such an attractive hire, it’s confronted with a serious menace: the Screen Cutter, a serial rapist with a bizarre penchant for assaulting women during the most fertile days of their menstrual cycles. Ordinarily Harry would jump at the chance to join officers Bella Lourdes and Danny Sisto in tracking down the Screen Cutter, and he does offer one or two promising suggestions. But he’s much more intent on the private job he’s taken for 85-year-old engineering czar Whitney Vance, who wants him to find Vibiana Duarte, the Mexican girl he impregnated when he was a USC student, and her child, who’d be well past middle age by now—and also wants him to keep his inquiries absolutely secret. Harry’s admirably dogged sleuthing soon reveals what became of Vibiana and her child, but his discovery is less interesting and challenging than his attempts to report back to his client, who doesn’t answer his private phone even as everyone around Harry is demanding information about the case he doesn’t feel he can share.
Grade-A Connelly. The dark forces arrayed against the hero turn out to be disappointingly toothless, but everything else clicks in this latest chapter of a compulsively good cop’s odyssey through the City of Angels and its outlying neighborhoods and less angelic spirits.Pub Date: Nov. 1, 2016
ISBN: 978-0-316-22594-6
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK TO SCREEN
SEEN & HEARD
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