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GUESTS

A brief look into Native American life just before it is irrevocably changed in this rite-of-passage tale of a young Indian boy. Moss is annoyed with his father for inviting the strangers—white men—to the village's annual harvest festival. He declares that he will not celebrate with the guests and goes to the edge of the village to sulk. There he meets Trouble, a girl about his age, and boastfully announces that he is going on his ``away time''—a boy's solitary journey into the forest to become a man and take a new name. Trouble does not believe him, so Moss foolhardily treks alone into the forest to prove her wrong. In the forest he learns about life, nature, and beauty from a grouchy old porcupine and transforms himself from a selfish little boy into a sensitive young man. Moss and Trouble meet again, and this time he shows a real interest in her. They develop a bond born of mutual understanding and return to the village to share in the festival. Interspersed with Moss's story are Indian legends that give the whole an added richness and depth, but the abrupt ending leaves the reader dissatisfied. Dorris obscures the simple story by weaving in too many threads—the white men, Trouble's troubled homelife—that dangle at the conclusion. A book that might have been outstanding had it delivered more or attempted less. (Fiction. 8-12)

Pub Date: Oct. 23, 1994

ISBN: 0-7868-0047-X

Page Count: 128

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

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THE CANDYMAKERS

Set in a candy factory as tantalizingly fragrant as Willy Wonka’s, this half-mystery, half–jigsaw-puzzle novel is a mild-mannered cousin to The Westing Game and When You Reach Me. Four 12-year-olds enter a candy-making contest. Logan lives in the confection plant with his parents, who own it; he narrates first, then the arc rewinds for the other contestants’ viewpoints. Miles, who witnessed a drowning, adds a poignant fragility in his portion. Daisy narrates and readers see—shockingly—that she’s a professional spy. Philip’s no spy, but his section reveals unsavory intentions on multiple levels. There’s no murder here—nor even death, it turns out; instead, there’s forgiveness, correction of dishonor and an alignment of seemingly disparate events. This isn’t fantasy, though it calls for a heaping cup of (enjoyable) suspension of disbelief (unflaggingly supportive grown-ups; chocolate pizza for lunch; adult confirmation that chocolate could potentially turn into gum and back again). Sweets fans will love the gooey sensory details. Earnest and sweet, with enough salty twists not to taste saccharine. (Fiction. 8-12)

Pub Date: Oct. 5, 2010

ISBN: 978-0-316-00258-5

Page Count: 464

Publisher: Little, Brown

Review Posted Online: Aug. 17, 2010

Kirkus Reviews Issue: Sept. 1, 2010

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FOREVER RIPLEY

An affecting emotional roller coaster chronicling a loyal dog’s last days with her human family.

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A retired working dog protects and cares for her family until her dying breath in Hoyle’s middle-grade novel.

Retired North Carolina Fish and Wildlife Law Enforcement dog Ripley is a stalwart, loyal German shepherd who has dedicated herself to taking care of her young human, Charlie, as well as Charlie’s mom, Amelia, ever since Charlie’s father, Max, died five years ago. Sadly, Ripley can sense that she is nearing the end of her own life after she falls getting off of Charlie’s bed. The vet confirms that Ripley has osteosarcoma, devastating Charlie and her mother with the news. The two have been fairly isolated since Max’s death, and Ripley worries that her humans will not have enough support after she’s gone. As the dog and her family check items off a bucket list of the former’s favorite activities, like chasing sandpipers at the beach, they find themselves truly reckoning not only with her death, but Max’s as well. Charlie and Amelia both start to make new friends, including a boy named Nathan who is dealing with the recent loss of his mother. There is no rest for the weary—Ripley must unofficially return to duty to protect her humans from dangerous poachers who threaten the preserve where Amelia works. This tearjerking middle-grade novel is the passionate and tender fourth installment in Hoyle’s canine-centric bibliography, following Millie (2024). Written in the first person from Ripley’s point of view, the narrative roots itself in sensory details, such as the “nervous chemicals [that] tint [Charlie’s] breath” when Ripley falls and the physical strain of the family’s financial woes (“I don’t know what it is about the word money, but it always makes my girls tense and their words stiff”). Peppered throughout are Tarkela’s black-and-white digital illustrations, which are proficient but less emotionally evocative or memorable than the story itself.

An affecting emotional roller coaster chronicling a loyal dog’s last days with her human family.

Pub Date: Sept. 2, 2025

ISBN: 9781639934164

Page Count: 208

Publisher: Shadow Mountain

Review Posted Online: Aug. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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