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THE WOMAN REPORTER AND THE HALIFAX EXPLOSION

An entertaining interpretation of a cataclysmic event in Canadian history—saddled with timeworn characterization.

Awards & Accolades

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A female cub reporter chases her first big story in Dupuis’ historical novel about an astonishing, lesser-known disaster that nearly obliterated a Canadian town.

On December 6, 1917, two ships made a catastrophic collision in Nova Scotia’s Halifax Harbour. One was the SS Mont-Blanc, a French cargo ship toting 3,000 tons of explosives from New York to Bordeaux. The resulting blast, which killed nearly 1,800 people and left scores of others injured and displaced, was the largest human-made explosion before the atomic bomb. Here, the story unfolds in the immediate aftermath of the disaster and tracks the journalists who covered it. The titular “woman reporter” is the adventurous yet proper Kate Dawson, a young staffer at the Toronto Advocate with a personal connection to Halifax. Was the explosion an accident? Part of a German spy plan? Equipped with a reporter’s pad and an ivory comb, she plans to do whatever’s necessary to get the facts, encountering her fair share of sexism and adversity along the way. Stenographic illustrations and an adventure-driven plot give the book an accessible feel that YA readers might particularly enjoy. Straightforward, if occasionally dialogue-heavy, prose (“I have never accepted the belief that men do what they want, and women do what they are told”) also make this an easy read. Dupuis’ thoughtful research of the disaster and its repercussions is apparent throughout, including the real dispatches from Halifax reporters. His protagonist, on the other hand, is less meticulously crafted. With her “tall, slim-waisted figure,” “deep blue eyes,” “firm sensual mouth,” and “ready smile,” Kate is a Hollywood archetype in a whale bone blouse who’s just bold enough to stand up to her male counterparts without sacrificing her feminine charm. If readers can look past the clichéd character choices, there’s a fun read in store.

An entertaining interpretation of a cataclysmic event in Canadian history—saddled with timeworn characterization.

Pub Date: May 16, 2024

ISBN: 9781038306647

Page Count: 282

Publisher: FriesenPress

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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