What matters most about McTell is his music, and Gray’s solid book will lead readers there.
Investigation of the great Georgia bluesman.
Since the British journalist and music researcher has mainly been known as a Bob Dylan authority (The Bob Dylan Encyclopedia, 2006, etc.), it’s natural that Gray would have more curiosity than many about Blind Willie McTell, whose artistry inspired the Dylan song of the same name. Though McTell never enjoyed a popular hit during his brief but rich life, his “Statesboro Blues” posthumously became a signature tune for fellow Georgians the Allman Brothers Band. Less a conventional biography than a mixture of history, travelogue and detective story, Gray paints an evocative portrait of an artist who defied blues stereotypes. He was an educated man whose musical training ranged from church to glee club. He found it so easy to get around that he would help direct other blind people, and he benefited from white patrons and audiences—though the author by no means minimizes the racism of the society in which McTell lived. It’s curious that Gray intends the book less for the blues fan than for “those who have never heard of him, and have no particular interest in that particular kind of old music,” since it’s hard to imagine casual readers wading through all the minutiae, half truths and dead-ends that the author encounters as he attempts to render the details of McTell’s life. Yet his recounting of his last years—when the diabetic artist, bereft after the death of his second wife, suffered a stroke that led to his hospitalization in a mental institution, where he died of a cerebral hemorrhage in 1959—has a poignancy that rewards all the research. After the book’s initial publication in the United Kingdom in 2007, Gray has continued to update.
What matters most about McTell is his music, and Gray’s solid book will lead readers there.Pub Date: Sept. 1, 2009
ISBN: 978-1-55652-975-7
Page Count: 448
Publisher: Chicago Review Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
A ramshackle biography of the legendary jazz innovator. Gourse (Madame Jazz, 1995, etc.) has researched Monk's life thoroughly, interviewing his surviving family members and musical cohorts, as well as combing the archives for contemporary profiles and reviews of his work. Sadly, however, there's insufficient narrative thread here to stitch together Gourse's assemblage of quotes. Monk grew up in New York City; by 1934, when he was 16, he had dropped out of school to devote his full attention to the piano. After touring the country with a gospel group, he returned to New York and began experimenting with his uniquely personal tonal and rhythmic language, often identified as the essential ammunition of the bebop revolution. While Monk profoundly influenced Dizzy Gillespie and Miles Davis, it wasn't until the late '50s that his seminal gigs at Manhattan's Five Spot garnered him full public recognition as a musician and composer. He was equally famous for his eccentricities: Generally late for his performances, he often left the piano and danced around the stage, letting the ever-changing members of his quartet supply the music. In private, Monk was notoriously taciturn, and occasionally he would experience episodes of complete withdrawal that required his hospitalization. Gourse entertains the idle speculations of many nonexpert acquaintances about the causes of his behavior, but the conclusion she seems to support—possible extensive use of unspecified drugs, complicated by genius—is vague. And about Monk's music the author offers silly tautologies like, ``In the aggregate, his songs comprised an oeuvre, each a commentary on his unique universe of sound.'' The book's obvious title, already used for a Monk documentary, is a perfect tipoff that Gourse has little to say about her subject that is imaginative or useful. (photos, not seen)
Pub Date: Oct. 1, 1997
ISBN: 0-02-864656-8
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1997
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience...
This compelling memoir of a German girl’s bitter, frightening life reveals the horrors visited upon an average family caught between two of the most cruel dictators in history.
Amidst the copious histories of Hitler and Stalin, historians have often neglected the horrific tales of innocent girls like Schulze, who early in World War II survived Nazi occupation, then was forced to hide in a secret attic for months at war’s end to escape sexual attacks from the invading rampages of the Russians. The Russian soldiers pillaged her tiny village of Doelitz, where women scrubbed their faces with ashes and dirt to make themselves unappealing to the Red Army’s serial rapists. With professional writer Collier’s help, Schulze tells a ground-level story that is at once haunting and shocking in its narration of ordinary, peaceful lives shattered forever by war. The small, poignant touches are riveting–the family’s favorite horse being dragged away to haul artillery; their argument about whether to follow Nazi orders to display Hitler’s portrait. Her inspiring story concludes with the long, harrowing struggle to escape to West Germany, followed by a months-long wait for a berth on a ship bound for America. Her first tastes of ice cream and pineapple aboard the ship are a fitting climax to a tale of never-ending stress and fear–and ultimately, redemption.
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience of all ages.Pub Date: Oct. 3, 2005
ISBN: 0-58348-072-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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