by Michael Gross ‧ RELEASE DATE: May 1, 1995
This intelligent and intermittently absorbing history of the modeling industry offers a group portrait of playboys, party girls, and a few genuine talents.. From its start in the early 1920s, the modeling industry has made photogenic teens into flash-in-the-pan stars. Gross—a senior writer at Esquire and a former New York Times fashion reporter- -doggedly interviews the major players, past and present. He profiles models: Dorian Leigh, who got started in 1944 and went on to run two agencies; her sister Suzy Parker; Jean Shrimpton; Lauren Hutton; Twiggy; and Cindy Crawford. And photographers: Avedon, the master; David Bailey and his group of early '60s London renegades, whose scene was depicted in Antonioni's 1966 film Blow-Up; to unrepentantly imitative Steven Meisel and his bratty ``Trinity''- -Christy Turlington, Naomi Campbell, and Linda Evangelista. And then there are the agents: controlling Eileen Ford, whose showy ``mothering'' of her models is secondary to her ruthless business acumen; and playboy John Casablancas, whose sexual exploits were so extreme as to cause one observer to comment, ``John can look at a girl, and in five minutes the girl takes her underwear off.'' Sexually exploitative men are everywhere in this seamy industry, and the models who fall prey to drugs and ill-advised affairs and marriages are so numerous as to add up to tedious reading. The few who emerge into second careers—like '60s star Veruschka, who now makes serious art that comments on the objectification of the female body—are the happy exceptions. Gross downplays the dishy, insider-gossip stuff that could have made his history more of a page-turner, choosing instead to emphasize business dealings and first-person reminiscences, sobered by hindsight. Model wannabes will be well advised to read and reread these cautionary tales—and to hide this volume from their parents. (50 b&w photos, not seen)
Pub Date: May 1, 1995
ISBN: 0-688-12659-6
Page Count: 544
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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More by E.T.A. Hoffmann
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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