A thoughtful though limited discussion of a puzzling situation: Why, despite relative prosperity, is economic anxiety so high? Mandel, economics editor of BusinessWeek magazine, maintains that unlike the stable corporate world of the 1950s and '60s which offered low risks and high rewards, and the transitional period of the '70s and '80s, which imposed high risks and low rewards, we are now confronted with an era offering high risks and the potential for high rewards. Traditional business practices—loyalty, seniority, and a reliance on government regulation—no longer guarantee success. With quantum leaps in information technology, corporate downsizing, and government deregulation, the comfortable predictability of the good old days has been replaced by economic turmoil. The entire economy is now characterized by a dynamism previously limited to the financial markets, and success requires a bold strategy: Embrace risk. Corporations must invest in the development of innovative products and reorganize along untested lines; individuals must invest in future-oriented education and accept multiple job changes or self-employment; the alternatives are decreasing profits and income. The costs of the attendant uncertainty, however, are high, in terms of confusion in the marketplace, missed opportunities, cautious and confused investors. To mitigate the losses caused by this turbulent situation, Mandel proposes measures ranging from income averaging for tax purposes to linking compensation to futures markets. To his credit, Mandel acknowledges that those with substantial personal wealth and education are in a much better position to take risks, but he is more reticent about the increase in economic inequality that would result from his proposals. Accepting aggregate growth as the ultimate concern seems to crowd out serious consideration of distributive issues. While the trials and tribulations of uncertainty in economic life are not ignored, Mandel definitely looks at the current and future economy through rose-colored glasses. (12 tables, charts, and graphs, not seen) (Author tour)
Pub Date: Nov. 1, 1996
ISBN: 0-8129-2637-4
Page Count: 256
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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