A somewhat repetitive yarn brimming with theological musings for readers with an interest in Christian philosophy.
In Kelley's novel, a Catholic priest analyzes a potentially historically significant manuscript about a post-crucifixion manhunt for Jesus Christ.
Father Thomas Mann teaches Christian history at Columbia University in 2029. His quiet life is upended when he gets a middle-of-the-night phone call from his friend Miles, a prestigious archaeologist. Miles has discovered an astoundingly intact trove of scrolls in a tomb in Kashmir and has already authenticated them; however, he doesn’t have the skills necessary to translate the Latin contained within, which is where Father Mann comes in. Although initially reluctant, Mann agrees to fly to Kashmir, where he will have three months at a secluded monastery to translate the scrolls before the state destroys them as “blasphemy.” Upon setting to work, Mann discovers that the scrolls follow Marcus Decia, a disgraced tribune, and his companions Poet and Boy as they search for Jesus after he has reportedly risen from the dead. They are hounded by another, much less honorable pair of bounty hunters, and their clashes provide much of the novel’s action. The trio eventually intersects with Bhagawati Ma, a “blissful spiritual woman” from India who helps guide them not only to the man they’re seeking but also to inner peace and religious belief. Aside from the clashes with the rival bounty hunters, the majority of the narrative focuses on ethical and religious deliberations. While Boy was enslaved by Marcus after his village fell to the Romans in battle, the text is primarily concerned with maintaining Marcus’ honorable and irreproachable character—rather than honestly interrogating the undeniable contradictions this entails, the story goes to great pains to affirm that Boy actually wants to be and continues to benefit from being enslaved. Poet, as the name suggests, is the chronicler of the group; he is immediately invested in the chase as a storyteller, providing much of the novel’s perspective. Interludes in which Mann reflects with a friendly monk, Lama Chinchinanaga, break up the narrative as Mann drily muses about the implications of the text and whether the pope will want it to see the light of day.
A somewhat repetitive yarn brimming with theological musings for readers with an interest in Christian philosophy.Pub Date: April 20, 2025
ISBN: 9781964251561
Page Count: 300
Publisher: Illumify Media Global
Review Posted Online: June 25, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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