A moving work of wit and pathos.
Decades after losing a legal battle, a Vietnam War veteran recounts his side of the story in Kun’s novel.
Jimmy Nail believes that his college roommate, Peter John “P.J.” Darbin, stole and published his novel, which went on to become a seminal work that’s the darling of critics, teachers, and young adults. This first-person retelling follows Nail’s fragmented thoughts as they slide from the past to the present and back again. What begins as a darkly comedic tirade against Darbin and the legal system turns into a disjointed unraveling of his life story, which includes a traumatizing tour of duty in Vietnam, the collapse of his marriage and family, and his young adulthood in Baltimore. As Nail’s early years take center stage, the book settles into a reliable groove as the protagonist presents sections of his own short novel and intersperses them with recollections of events from his own life. At the heart of all the stories is Nail’s relationship with his neighbor Poppy Fowler—in Nail’s novel, she’s called “Poppy Fahrenberg,” and in Darbin’s, “Poppy Fahrenheit”—who likes the awkward, allergy-ridden Nail (in both novels, he’s “Allie”). As the novel rolls on, readers get the feeling that Nail’s accusation is not so fantastical. Kun, the author of Eat Wheaties! (2020), effectively manages to keep all the parts of his protagonist together, maintaining a clear throughline in spite of Nail’s inability to remember events with any sense of order. The author also plays around with tone, including mimicry of J.D. Salinger’s Holden Caulfield as well as a watered-down impression of Kurt Vonnegut’s work. The imitations are a far cry from the original, though, and Kun does best when he allows the main character to speak in his own voice. The ending will certainly leave many readers shocked, but it elevates the work and gives it unexpected heft.
A moving work of wit and pathos.Pub Date: May 5, 2021
ISBN: 978-1-95-015452-4
Page Count: 348
Publisher: The Sager Group LLC
Review Posted Online: July 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
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