This rousing sci-fi series opener deftly balances action, characterization, and concept.
A post-apocalyptic novel sees a young man searching for his father and a cure for the mutations that have swept the world.
Center City is a wasteland of filthy strangers and roving gangs, all desperate for food, shelter, and other resources. The Sickness has struck, killing “something like” 80 percent of the population and causing many of the survivors to mutate and gain special powers. Sixteen-year-old Oscar looks for his missing father, an anthropologist who might be the key to halting the Sickness. With him is 13-year-old Alan, who’s one of the Changed. He has enormous glowing eyes and can speak with animals. On the way to the safety of the Arcadia compound, run by family friend Adele, Oscar and Alan must avoid the zealots who follow Walter, a God-fearing man who believes the Changed are demons. When the boys encounter the followers of Eli, who’s incorporating the Changed under his banner, security seems within reach. Eli’s men, however, are hunting a woman with plant-based powers named Roxy and her hulking companion, Art. The teens help the Changed individuals escape and take them on as allies. Oscar, while remaining hopeful that he’ll find his father, continues to have vivid dreams that mention someone called the Messenger. In this sci-fi series opener, Marsh (The Red, 2012) offers well-conceived superpowers (reminiscent of X-Men) and a land gripped by scarcity and lawlessness (as in The Walking Dead). His prose rings with surreal elegance in depicting the Changed, like the chameleon man whose “eyes puffed out from his skull. Blue, all-too-human irises sat inside scaled mounds of flesh, which moved independently from one another.” While Walter’s faction is terrible, Eli acts on the words God speaks directly to him. Marsh is careful never to equate spirituality with madness, and deepens the discussion when Roxy says, “The Universe isn’t limited by our understanding of it.” Though verbose at times, the narrative should satisfy action junkies as it ramps up to a grisly finale. Oscar comes into his own as a hero to rally around.
This rousing sci-fi series opener deftly balances action, characterization, and concept.Pub Date: Dec. 15, 2013
ISBN: 978-1-4922-2508-9
Page Count: 222
Publisher: CreateSpace
Review Posted Online: Nov. 8, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
