A tightly executed thriller and the high point of a great series.

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The Blackmail Photos

From the The Travelers series , Vol. 3

In this third installment of his Travelers series, King’s (The Computer Heist, 2016, etc.) con-artist couple target a would-be politician.

The Traveling Man and his wife are in a town called Randal Junction. This time, he’s taken the name “George Harrison,” while she goes by “Roslyn.” They’re posing as married real estate agents to penetrate the ambitious life of banker Donald Honeycutt, who’s running for Congress. The con begins in earnest when Roslyn draws Honeycutt into a sexual affair, and George clandestinely films one of their trysts from a van. They later mail the banker a package containing a few steamy stills and a DVD of the event, which he nearly opens in front of his even-more-ambitious wife, Billie Honeycutt. They also send him a note demanding that he drop $10,000 into a mailbox each month, or they’ll tell Billie and the media everything. The con proceeds apace until Billie notices a missing $10,000 that no campaign business accounts for. Although she’s aware of her husband’s one weakness—women—she’d made him promise not to philander during the campaign. She sets a private eye named Stan Jessup on the banker’s trail to learn more. Roslyn, however, has a secret that radically alters the nature of the blackmail scheme—one that could make Randall Junction the Travelers’ last stop. For his third small-town thriller, King nearly undoes his ruthless couple by pitting them against an equally horrible duo. Billie, for example, is only with Donald because she “plans to go to Washington and take her wheeling and dealing to the next level without having to be in office herself.” As usual, King’s dialogue and secondary characters make for rich, pulpy reading; for example, when Sheriff Bo Teardale catches up with George, he reassures him by saying, “You’ve been watching too much TV. If I want you disappeared, you’ll disappear.” And even though King gives Donald the self-deprecating line, “It was the plot to a bad movie,” he masterfully crafts the deadly tangle of interpersonal alliances and their fallout. Although this volume could finish the Travelers’ tales, a sequel would be irresistible.

A tightly executed thriller and the high point of a great series.

Pub Date: Aug. 28, 2016

ISBN: N/A

Page Count: 188

Publisher: Blurred Lines Press

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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