Another exceptional account of heart-of-gold con artistry.
King’s (The Blackmail Photos, 2016, etc.) fourth outing with the Travelers, a husband-and-wife con artist team, sees them chasing stolen artwork.
The Travelers go from city to city, orchestrating elaborate cons that rip off deserving crooks. This time around, the couple poses as Ron and Nicole Carter, in the city of Charles Bay. Their latest target is Pat McCall, a corrupt information-technology professional who deals in credit card numbers. After sleeping with him, Nicole tries to get him to drink some spiked water, so that he’ll pass out and she can lift data from his laptop. McCall doesn’t fall for this ruse, however, and Ron must intervene to salvage their identities. The 40-something Nicole blames herself for the failed con, believing that she’s no longer the femme fatale that she once was. Soon she and Ron are on a fresh con facilitated by Aaron Rickover, an insurance investigator. He informs them that a gold, jeweled casket that was on its way to the Peter Damascus Sculpture Museum in Los Angeles has been stolen and placed in a “freeport” vault, outside of the reach of U.S. customs. The museum offers the Travelers a $150,000 finder’s fee to obtain it. The Carters do manage to collect the masterpiece, only to have a rival squad of thieves unexpectedly engage them in gunplay at an airport. In this latest go-round with the Travelers, readers should already be accustomed to author King’s casual excellence, particularly when it comes to character development. In the first half, for example, he ably reestablishes a psychological rift between his protagonists when Ron suggests that they adopt a third partner—a younger woman whom Nicole could train to seduce targets. King then cleverly flips this dynamic, though, when they eventually con a cultured man whose wife is near death in a hospital, and whom Nicole allows to emotionally cling to her “as tightly as the last piece of flotsam from the wreckage of his life.” Overall, King delivers a solidly written, self-contained thriller that also sets the stage for his cons’ return.
Another exceptional account of heart-of-gold con artistry.Pub Date: April 26, 2017
ISBN: N/A
Page Count: -
Publisher: Blurred Lines Press
Review Posted Online: April 27, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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