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JOJOFU

Based, according to the author's note, on a Japanese folktale from a medieval scroll, this story features Jojofu (or ``Heroine''), the ``bravest and smartest hunting dog in the land.'' Jojofu is the young Takumi's favorite among his many dogs, all of whom he loves ``as if they were his own children.'' Even though it looks as if Jojofu is leading him into danger, she is actually saving him: from a landslide, a misstep off a mist-shrouded cliff, and the jaws of a serpent. Following a magnificent full-spread battle with the serpent, Jojofu's bravery and resourcefulness are not exhausted; she directs Takumi in his rescue of the other dogs, swallowed whole by the monster and trapped in its stomach. Forever after, she is known as ``watashi no me to mimi'' to Takumi, or his eyes and his ears. Resplendent illustrations set the story both culturally and dramatically, making use of forced perspective and the boundless, unframed focus of traditional Japanese art. Waite and Ito have created a book that will be read and reread often, not only because of its felicitous blend of words and pictures, but also because children will readily identify with the dog who works so hard to make an adult listen. (Picture book/folklore. 5+)

Pub Date: Sept. 1, 1996

ISBN: 0-688-13660-5

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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THE GOOD DOG

When the wild calls, will this good dog answer? For McKinley the malamute is a very good dog, one who takes his contract with his humans seriously: he assiduously guards his human family, especially the pup, Jack. He is also a politically astute dog: he is head dog of the Steamboat Springs dog pack. His retriever friend Aspen, had she the language of pop psychology, would call him a codependent dog: “You watch out for everybody but yourself.” His comfortable life is disturbed when a lamed wolf, Lupin, comes down out of the hills to recruit dogs to join her dwindling pack. McKinley feels drawn to her wildness, while at the same time remaining mindful of his doggy responsibilities. These become immensely more complicated when his pup (inspired by The Jungle Book and Julie of the Wolves) decides to try to run away and live with the wolves even as the human community gears up for a massive wolf hunt and an upstart Irish setter begins to challenge McKinley’s leadership. How can McKinley acquit his obligations to his pup, to Lupin, and to an abused greyhound whose escape sets the plot in motion, while at the same time preserving his position in the pack? Avi (The Secret School, p. 1021, etc.) by and large does a creditable job of keeping the many subplots going, although the action occasionally gets bogged down in discussions of the political doggy climate. The narrative is filtered through a dog’s-eye-view with occasional whimsical touches (streets have names like “Horse Smell Way”), but for the most part the text takes itself as seriously as McKinley does. Almost wholly absent from the story is a real exploration of the mutual affection that underlies the human-dog relationship; without this, McKinley’s decision to stay with his humans rather than follow Lupin is an intellectual, and ultimately unsatisfying, one. (Fiction. 8-12)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83824-7

Page Count: 256

Publisher: Richard Jackson/Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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