by Michael Parenti ‧ RELEASE DATE: Sept. 15, 1999
paper 0-87286-357-3 A somewhat scattered but well-considered manifesto for a history that serves as a weapon —in the age-old war for our intellectual emancipation.— A quarter of college seniors cannot come within 50 years of pinpointing Columbus’s arrival in America; 40 percent cannot give the dates of the Civil War; most cannot distinguish WWI from WWII, except to guess that one preceded the other. Small wonder, says left-wing historian Parenti (Dirty Truths, 1996, etc.), for most written history is —an ideologically safe commodity— that serves the interests of the ruling class—and that in any event is generally pretty uninteresting fare. At points in this collection of essays, Parenti examines the nature of American history textbooks, which, he believes, ignore or undervalue the contributions of ethnic minorities, women, and labor; considers the influence of Christianity on European culture, a tradition, he argues, that is replete with misogyny, anti-Semitism, and book-burning; and generally offers assessments of the nation’s past that would give Lynne Cheney and William Bennett fits. Opponents of left-wing points of view will immediately dismiss Parenti’s arguments as more liberal breast-beating; proponents of those points of view will likely admire this book, which suffers only from a tendency to repeat attention-getting slogans on matters of racism, sexism, and classism. Historically minded readers on the left and right alike will find Parenti’s account of the 1991 exhumation of President Zachary Taylor—who, some scholars have suspected, was assassinated by poisoning—to be of much interest. Parenti takes issue with the conclusions of that long-after-the-fact inquest, writing that —the chief medical examiner’s investigation pretended to a precision and thoroughness it never attained,— while the media —eagerly cloaked the inquest with an undeserved conclusiveness.— Solid if surely controversial stuff.
Pub Date: Sept. 15, 1999
ISBN: 0-87286-364-6
Page Count: 222
Publisher: City Lights
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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by Ernie Pyle ‧ RELEASE DATE: April 26, 2001
The Pulitzer Prize–winning journalist (1900–45) collected his work from WWII in two bestselling volumes, this second published in 1944, a year before Pyle was killed by a sniper’s bullet on Okinawa. In his fine introduction to this new edition, G. Kurt Piehler (History/Univ. of Tennessee at Knoxville) celebrates Pyle’s “dense, descriptive style” and his unusual feel for the quotidian GI experience—a personal and human side to war left out of reporting on generals and their strategies. Though Piehler’s reminder about wartime censorship seems beside the point, his biographical context—Pyle was escaping a troubled marriage—is valuable. Kirkus, at the time, noted the hoopla over Pyle (Pulitzer, hugely popular syndicated column, BOMC hype) and decided it was all worth it: “the book doesn’t let the reader down.” Pyle, of course, captures “the human qualities” of men in combat, but he also provides “an extraordinary sense of the scope of the European war fronts, the variety of services involved, the men and their officers.” Despite Piehler’s current argument that Pyle ignored much of the war (particularly the seamier stuff), Kirkus in 1944 marveled at how much he was able to cover. Back then, we thought, “here’s a book that needs no selling.” Nowadays, a firm push might be needed to renew interest in this classic of modern journalism.
Pub Date: April 26, 2001
ISBN: 0-8032-8768-2
Page Count: 513
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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by Yuval Noah Harari ‧ RELEASE DATE: Sept. 4, 2018
Harari delivers yet another tour de force.
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A highly instructive exploration of “current affairs and…the immediate future of human societies.”
Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.
Harari delivers yet another tour de force.Pub Date: Sept. 4, 2018
ISBN: 978-0-525-51217-2
Page Count: 400
Publisher: Spiegel & Grau
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
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by Yuval Noah Harari ; illustrated by Ricard Zaplana Ruiz
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by Yuval Noah Harari ; illustrated by Ricard Zaplana Ruiz
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