Bet on this funny, well-written tale of second chances.
After poker champion Clutch Henderson drops dead after losing the International Series of Poker, his ghost haunts wannabe player Telly Martin, touching off an uproarious adventure in which both the living and the dead discover their true selves.
Cash (Witches Protection Program, 2015, etc.) assembles a cast of eccentric characters, from sepulchral hoodie-shrouded Adam “the Ant” Antonowski to Clutch’s drunken ex, Jennifer, who gets arrested for using crooked dice in the casino. Much of the humor derives from the confusion of Telly responding to ghostly Clutch while others, who don’t see or hear Clutch, stand by to misinterpret. Though it’s a well-worn premise, Cash proves to be highly capable of juxtaposing the absurd and the mundane, creating a thoroughly enjoyable comic ghost story along the lines of The Canterville Ghost (1891) or Topper (1926). Clutch, for instance, is a spirit with an eye for the ladies. As he wanders the Las Vegas Strip, he inserts himself within a group of drunken women, one of whom vomits on him. When he later sees the same thing happen to Telly—the proverbial nice guy who always finishes last—a connection is made, and the ghost decides to help this poor soul. The writing is sharp, with pointed imagery foreshadowing events to come. Dumbfounded when he finds out the ghost is Clutch, “Telly opened and closed his mouth like a hooked trout.” An out-of-work casino IT specialist, Telly has always dreamed of making his living at poker. Despite their dire straits and his girlfriend Gretchen’s pregnancy, she grants him the opportunity before insisting he take a job driving a cab (a secret tidbit of which Clutch is aware). But Telly is an awful player, and even with Clutch’s cheating, he’s too honest and guilt-ridden to pull it off. Meanwhile, the ghost himself has issues with his exes, father, daughter, and his own angel guide. Despite Telly’s reluctance and Clutch’s rather callous and selfish approach to spiritual guidance, Telly eventually makes it to the tournament, where he faces off against the mysterious Ant in front of an audience featuring every whacky character in the book.
Bet on this funny, well-written tale of second chances.Pub Date: July 15, 2015
ISBN: 978-1-5120-7496-3
Page Count: 266
Publisher: CreateSpace
Review Posted Online: Aug. 31, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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