by Michael Rosen ; illustrated by Katharine McEwen ‧ RELEASE DATE: May 27, 2014
Although this approach has been used before, rarely has it been executed with such hilarious results.
An over-the-top comic-book adventure within a bedtime story aims for laughs.
Veteran children’s-book writer Rosen (Aesop’s Fables, 2013, etc.) proves he knows what kids like and what they are like. The story begins as Dad reads a comic book to “Emily and little Elmer” at bedtime: Filth and Vacuum are on their way to Earth to take over the world. Within the comic book, savvy schoolboy Brad 40 tries to warn Miss Nice and Class Perfect. In the frame, Elmer gets excited by the story, and Emily becomes impatient with his interruptions. Back in the story, Brad 40 alerts Mayor Troubleshoot of the dreaded duo’s approach, and the Mayor mobilizes the heroes. Unfortunately, neither Steel Man, Super-Flying-Through-The-Air-Very-Fast-Man nor Incredibly-Big-Strong-Green Man can fend off Filth and Vacuum. Brad 40 calls on Extremely Boring Man to come to the rescue. With his gray-on-gray outfit and seemingly endless monologue about selecting what to wear, he has a slumberous effect on everyone, including Filth and Vacuum—and Elmer and Emily (as if, Dad!). McEwan alters the style of illustration and palette to cue the back and forth between the stories. The comic adventure is laid out in frames with urgent declarations and sound effects, with a printed-on-newsprint effect, whereas the scenes with Elmer and Emily are often on full-bleed pages and pulse with saturated colors.
Although this approach has been used before, rarely has it been executed with such hilarious results. (Picture book. 4-8)Pub Date: May 27, 2014
ISBN: 978-0-7636-6438-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton
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by Erin Guendelsberger ; illustrated by Stila Lim ‧ RELEASE DATE: Feb. 1, 2022
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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