This first in a planned series borrows characters from history, legend and mythology, but is set in modern time. The juxtaposition of our reality with magic and myth is riveting if one is willing to overlook one tiny glitch in the design. History’s greatest alchemist, Nicholas Flamel, has been guardian of a magical book, The Codex, for eons. The Codex contains the secret of eternal youth and keeps the ancient, dark “Elder Race” from world dominion; representing the Elders is a devious human, Dee. Caught in the middle of the age-old struggle are teen twins Sophie and Josh. They are accidental participants in Dee’s attempt to steal the Codex and destroy Flamel and his wife (but if they have been mixing this formula for eons, why do they need the recipe?) It gradually becomes clear, though, that Sophie and Josh hold potentially great powers and play an essential role in fulfilling a prophecy foretold in the Codex. The lines between good and evil blur when Sophie’s magical powers are awakened, but Josh’s are not. The story moves breathlessly fast, with riotous confrontations featuring beasts, Egyptian gods, witches and the walking dead. By the last page of this exhilarating journey, it’s delightfully clear that the ending is merely the beginning. (Fiction. 11-15)
Pub Date: May 22, 2007
ISBN: 978-0-385-73357-1
Page Count: 384
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2007
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Witty repartee between the central characters, as well as the occasional well-done set piece, isn’t enough to hold this hefty debut together. Teenagers Seth and Kendra are dropped off by traveling parents at their grandfather’s isolated Connecticut estate, and soon discover why he’s so reluctant to have them—the place is a secret haven for magical creatures, both benign and decidedly otherwise. Those others are held in check by a complicated, unwritten and conveniently malleable Compact that is broken on Midsummer Eve, leaving everyone except Kendra captive in a hidden underground chamber with a newly released demon. Mull’s repeated use of the same device to prod the plot along comes off as more labored than comic: Over and over an adult issues a stern but vague warning; Seth ignores it; does some mischief and is sorry afterward. Sometimes Kendra joins in trying to head off her uncommonly dense brother. She comes into her own at the rousing climax, but that takes a long time to arrive; stick with Michael Buckley’s “Sisters Grimm” tales, which carry a similar premise in more amazing and amusing directions. (Fantasy. 11-13)
Pub Date: Aug. 1, 2006
ISBN: 1-59038-581-0
Page Count: 368
Publisher: Shadow Mountain
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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