Review-resistant humor—probably just for the fans.
An occasionally amusing book about how to write a book when you really have nothing to say.
Many comedians seem to land book deals whether they have a book in them or not. As the writer/star of MTV’s The State and the cult film Wet Hot American Summer, Showalter, who teaches screenwriting at the NYU Graduate Film School, understands that many of those books have no point to them. He makes such pointlessness the point of this book, which describes the processes of writing it in painstaking, even excruciating detail. For Example: “ ‘Making Sense’: Should this book make sense? Should it be cohesive? Should it have a beginning, middle, and end? Should I connect dots? Should I construct a narrative that is easy and enjoyable for my reader to follow? Or should it be an incoherent mess? I’m still not sure. Gut is telling me that incoherent mess might be my best shot at finishing it.” Among the elements in the inevitably incoherent mess are book proposals, diagrams, advice for writing and selling screenplays, dating tips, Scrabble strategy and jokes. Some of the jokes are funny; with more of them, what’s funny is that the author pretends to think they’re funny or pretends to think the reader will think they’re funny. To wit: “A FOR SALE BY OWNER sign is way better than a FOR SALE BY THIEF sign.” (Funny.) “Instead of a string quartet what if there was a string bean quartet? How crazy would that be?” (Funny?) In the afterword, he writes, “I fell WAY SHORT of my goal to write a profound and meaningful memoir. On that level I FAILED COMPLETELY. I did however manage to use the word penis over four hundred times.” One of them: “There is nothing worse or more terrifying than an intellectually curious penis.” (Funny?)
Review-resistant humor—probably just for the fans.Pub Date: Feb. 24, 2011
ISBN: 978-0-446-54210-4
Page Count: 288
Publisher: Grand Central Publishing
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: Dec. 15, 2010
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
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