Another take on the hoary conflict of how one who is different and dolorous about it comes to accept the beauty of his own special qualities. The ubiquitous struggle for self-acceptance is certainly of sufficient value to mine over and over again, although not in the same way. The uniqueness of this minefield lies in its African veldt setting (Andersen’s ugly duckling as rhino) and the altruistic search for solutions other than growing out of it (the baboon as friend and makeover artist). How it plays out here: Rhino feels self-conscious about his “pointed lumps of wood,” so old-friend Baboon beautifies them first with floral arrangements, next “butterfly gardens,” then fruit centerpieces. Rhino rejects them all, dumping the material on the ground and attracting gnu, gazelle, and others with “curved horns, spiraled horns, tiny wavy elegant horns” who proclaim Rhino lucky in having such big, strong horns. Rhino feels blessed, and Baboon offers reassurance. While the story is an old one, without a really new treatment, it’s the art that attracts. Extreme close-ups of rhino and baboon, lushly drawn flowers, fruit, and accompanying insects and birds, and the silly arrangements wrapped around the horns help to enhance what is still an age-old theme. (Picture book. 3-5)
Pub Date: June 1, 2001
ISBN: 0-7475-5051-4
Page Count: 32
Publisher: Bloomsbury UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Captivating—and not a bit terrifying.
Catering to young scientists, naturalists, and Shark Week fans–to-be, this visually arresting volume presents a good deal of information in easily digested bites.
Like others in the Block Books series, this book feels both compact and massive. When closed, it is 5.5 inches across, 6.5 inches tall, and nearly 2 inches thick, weighty and solid, with stiff cardboard pages that boast creative die cuts and numerous fold-out three- and four-panel tableaux. While it’s possible it’s not the only book with a dorsal fin, it certainly must be among the best. The multiracial cast of aquarium visitors includes a Sikh man with his kids and a man of color who uses a wheelchair; there they discover the dramatic degree of variations among sharks. The book begins with a trip to a shark exhibit, complete with a megalodon jaw. The text points out that there are over 400 known types of sharks alive today, then introduces 18 examples, including huge whale sharks, tiny pocket sharks, and stealthy, well-camouflaged wobbegongs. Reef sharks prowl the warm waters of the surface, while sand tiger sharks explore shipwrecks on the ocean floor. Bioluminescent catsharks reside at the bottom of an inky black flap that folds down, signifying the deepest ocean depths, where no sunlight penetrates. Great whites get star treatment with four consecutive two-page spreads; their teeth and appetite impress but don’t horrify. The book does a wonderful job of highlighting the interconnectedness of species and the importance of environmental stewardship.
Captivating—and not a bit terrifying. (Board book. 3-5)Pub Date: May 4, 2021
ISBN: 978-1-4197-4119-7
Page Count: 84
Publisher: Abrams Appleseed
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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