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BEYOND THE VEIL

A rollicking beginning to what will no doubt be an entertaining YA saga.

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A fantasy adventure debut aimed at young readers about a 15-year-old boy who discovers that he’s much more than just his school’s loner “freak.”

Cael Collins’ life isn’t like that of most teenagers. Instead of having free time to hang with friends, Cael has to take care of his three younger brothers, mainly because his foster mother, Ida, isn’t responsible enough to care for children, let alone herself. But other aspects differentiate him from kids his age: For some inexplicable reason, he can see in the dark, run incredibly fast, and has almost supernatural healing abilities. When monstrous black dogs destroy his home, Cael is saved when a mysterious woman pulls him through a magical rift into another dimension. Cael soon realizes that he is the only person who can protect the Veil, a magical barrier that has enabled the Fae to conceal themselves from humans for thousands of years. If the deteriorating Veil falls, countless lives on both sides will be lost. With an emotionally fragile boy named Brendon as his guide on a seemingly impossible quest, the two set out to save both Fae and human realms. The novel’s fantasy world is wholly believable; creatures from many mythologies are featured—barghests, gnomes, dryads, kelpies, sprites, selkies, etc. And the author keeps his foot on the narrative gas, as the action and adventure are relentless throughout. A line from the novel describes this story fittingly: “It’s not the destination that matters in life; it’s the journey.” But while young reader themes are explored with compassion and insight—including finding one’s place in the world, how to handle bullying, and the power of family—Brendon and his melodramatic outbursts get old quickly. That minor criticism notwithstanding, young readers should enjoy the first installment of this action-packed series, particularly the ending’s bombshell plot revelations.

A rollicking beginning to what will no doubt be an entertaining YA saga.

Pub Date: March 14, 2022

ISBN: N/A

Page Count: 240

Publisher: Manuscript

Review Posted Online: Dec. 7, 2022

Kirkus Reviews Issue: Feb. 15, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

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In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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