Red-hot novelist/screenwriter Tolkin comes up with an equally affectless twin to Griffin Mill of The Player (1988): music-store owner Frank Gale, whose plan to rekindle his marriage by breaking off with his mistress runs into the kind of cosmic bad luck only a master of black comedy could invent. The night before he's to fly to Acapulco with wife Anna, Frank writes a letter confessing his sins and naming insurance-assistant Mary Sifka as his lover. His plan: to hand Anna the confession after they've been in Mexico for a few days and he's made nice to her. But when a farewell lunch with Mary keeps him from making his flight, Anna finds the letter in his luggage, tells him off by phone, then boards the plane—only to die in a ``massive fireball'' when a disgruntled former employee shoots up the plane and it comes down on a San Diego street. For two days Frank floats in an aura of martyrdom as the airline employees, worried that he'll join a lawsuit against them, ply him with room service and grief-counseling as he's constructing elaborate what-if scenarios based on Anna's not finding that letter and wondering why his brother and partner Lowell—who's fighting to take charge of the lawsuit—has always been so much more effective than he has, what advantage he can get out of widely being thought dead (his name was published on the passenger list), and whether his bereavement will give him more opportunities to hit on women. Entranced by the need to make his calamity more real, he wanders back to San Diego, sneaks onto the crash site, and is arrested rifling his own luggage. But the crowning irony is still to come.... A high comedy made even darker than The Player by Tolkin's eye for the cold-water detail that strips Frank naked—from the Ford Explorer he imagines Lowell to be crying in to his description of the standard configuration of a 737.
Pub Date: April 21, 1993
ISBN: 0-688-12083-0
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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