A provocative, welcome platform for wresting economic conversations away from the moneyed class.
Political journalist and Democracy editor-in-chief Tomasky delivers a strong argument for Democrats to take the lead in articulating middle-class–boosting economics.
Democracy, freedom, and economic justice are the hallmarks of America’s conception of itself. “They are inseparable,” writes the author. “It is up to the Democrats to defend all three. And they must see this as not three fights but one. It’s Republican doctrine that the market must be free and unregulated, which works supremely well “for those with the means to eat at high-end locavore restaurants or purchase the right to skip the lines at Disney World.” For the rest of society, the market goes hand in hand with Republican resistance to social spending programs such as the American Rescue Plan, which, though carrying a staggering $1.9 trillion price tag, came in at a lower percentage of GDP than Franklin Roosevelt’s “broadly popular” New Deal programs. Tomasky notes that public investment grows the economy, and it addresses both aspects of ordinary economic thought, which has both a fiscal and a moral dimension. Chalk the Republican program up to the likes of Milton Friedman, whose influence over economics Tomasky calls “deeply unfortunate” and who had strange ideas that continue to hold sway over a certain element of the political class (including the fact that “he was against national parks”). Whereas some level of inequality is inevitable in a noncommand economy, the current fiscal structure rewards the rich at the expense of the rest. The author urges that a Democratic brand of economics requires a good name, one that doesn’t include the prefix post- (“if you’re still using ‘post,’ you don’t have a movement”) and that advances the idea that “prosperity is built from the middle out”—i.e., founded on a strong middle and working class, repudiating the false notions that taxes are bad and greed is good.
A provocative, welcome platform for wresting economic conversations away from the moneyed class.Pub Date: Sept. 6, 2022
ISBN: 978-0-385-54716-1
Page Count: 304
Publisher: Doubleday
Review Posted Online: June 24, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
