Well-researched but with limited appeal.
A gaming enthusiast pays homage to Gary Gygax (1938-2008), the creator of the swords-and-sorcery role-playing game Dungeons & Dragons.
Chicago native Gygax acquired his taste for fantasy from a father who regaled him with bedtime stories of “giants and dragons [and] wise old wizards with magic rings.” As he grew up, he indulged his escapist daydreams by reading pulp science fiction and fantasy magazines like Weird Tales while cultivating a passion for war games and chess. By the time he married and began his adult life, Gygax was spending so many of his evenings gaming with other locals that his wife suspected he was having an affair. In 1968, he helped organize the first war-games convention in Lake Geneva (called Gen Con for short) and started to develop games based on fantasy themes that used elaborate table settings, multisided dice, and miniatures. In 1973, Gygax formed a partnership with his closest gaming friends called Tactical Studies Rules and published the first 1,000 copies of the game he would call Dungeons & Dragons a year later. D&D grew rapidly in popularity during the late 1970s and into the 1980s. Yet its successes, which included cartoons and a (aborted) movie deal, were tainted by internal problems within TSR—e.g., lawsuits brought against Gygax by former partners and Gygax’s own financial mismanagement. The D&D creator would eventually go on to found other small gaming companies, develop other games, and even write pulp sci-fi–style novels. By the early 2000s, he had become a beloved popular-culture icon, and Sync magazine “named Gary as number one on its list of the ‘50 Biggest Nerds of All Time.’ ” Witwer’s respect for Gygax is evident throughout, but while his overview of D&D's influence on popular culture is informative, this book will likely find its strongest readership only among fellow gaming aficionados.
Well-researched but with limited appeal.Pub Date: Oct. 6, 2015
ISBN: 978-1-63286-279-2
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: May 25, 2015
Kirkus Reviews Issue: June 15, 2015
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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