Wood is a wonderful storyteller who captures the big picture without losing sight of the human detail.
“Writing on China’s past…is a daunting task, all the more so if one is not a sinologist,” notes Wood in the preface. “China is a huge and incredibly rich, indeed inexhaustible subject….With more than three millennia of written records, it has a vast history—small libraries have been written about each of my individual chapters!” In this smoothly readable book, the author shows he is up to the task, presenting a useful one-volume study of Chinese history perfect for students and libraries. Though Wood concentrates on the main dynasties, he sometimes veers into micro-level, intricate family stories to create a sense of immediacy amid the far-reaching historical currents. He moves swiftly yet thoroughly, wisely using geography to ground and orient readers. Like the ancient inhabitants of the Tigris-Euphrates river system, the earliest Chinese communities were tied closely to the Yellow River. These first civilizations were not near the sea but resided in the central plain, close to where the river emerges from the mountains—hence, China's early name as Zhongguo, the "middle land." Wood traces the rise and fall of the great dynasties who received "heaven's mandate," from King Yu's descendants (circa 1900 B.C.E.) to the Zhou, Qin, Han, Tang, Song, Ming, and Qing. Throughout the book, Wood masterfully extracts real stories, including those by remarkable women writers and observers such as the Song poet Li Qingzhao and Ming poet Fang Weiyi. The author also gives attention to the many heartbreaking tales that emerged from the tumultuous Cultural Revolution. Scholars may debate some points, but Wood ably conveys the exciting Chinese saga through the ages in an accessible work that makes a massive historical narrative palatable to general readers.
Wood is a wonderful storyteller who captures the big picture without losing sight of the human detail.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-20257-4
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Aug. 26, 2020
Kirkus Reviews Issue: Sept. 15, 2020
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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