by Michel Nieva ; translated by Rahul Bery ‧ RELEASE DATE: Feb. 4, 2025
A hyperkinetic, audacious grotesquerie about metamorphosis and the inevitability of change.
A mosquito-borne fever dream that fleshes out the author’s 2022 O. Henry Award–winning short story.
Coming from a literary tradition known for magical realism and societal criticism, Argentine writer Nieva’s English-language debut boils both into a hallucinogenic cocktail about the end of one world and the beginnings of another. Earth is in sorry shape in 2272—the polar ice caps have melted away, leaving much of South America underwater with Antarctica the new Patagonia. Meanwhile, the divide between the poor (everyone) and the ultrawealthy is stretched to garish proportions as investors rake in fortunes betting on the emergence of new viruses and enjoy the apocalypse on luxurious cruise ships. This is the future given to the titular antihero, a human/mosquito hybrid with insectlike features, a disdainful mother, and a burgeoning existential crisis. Banished to a torturous summer camp, young Dengue Boy abruptly becomes Dengue Girl, slaughters a classmate, and sets off on a revenge tour, vowing “Mosquitos, reign over this world!” We also meet René Racedo, the daughter of an influential virofinance broker, who’s obsessed with a violent, genocide-themed videogame that pits “Christians vs. Indians,” and Noah Nuclopio, the time-traveling founder of Ascension Industries and Solutions, whose connections to Dengue Girl are closer than they appear. It’s an otherworldly trip reminiscent of Philip K. Dick’s altered states, complete with telepathic stones and a thriving bootleg trade in both illegal stimulants and “sheepies”—more “sexual organ with autonomy and a life of its own”than electronic sheep. It’s a bit hard to know what to make of the book, whether as an acidic prosecution of colonialism, capitalism, and climate change denial or a hyper-exaggerated back door into identity and body horror. Ultimately, it’s about transformation as an elemental force—of the self, body, or world—delivered as a mighty yelp of defiance from a most unusual prophet.
A hyperkinetic, audacious grotesquerie about metamorphosis and the inevitability of change.Pub Date: Feb. 4, 2025
ISBN: 9781662602658
Page Count: 224
Publisher: Astra House
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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