An entertaining, beautifully produced volume.
The meaning of an enigmatic shade.
Historian Pastoureau’s seventh book on the history of colors in European societies presents a lively, informative investigation of the social, lexical, artistic, and symbolic meanings of pink, one of the hues he calls “half colors,” which include orange, purple, gray, and brown. Seen in paintings in ancient Macedonia, pink became associated with nudity because of its appearance in Roman depictions of the skin of gods. Even throughout the Middle Ages, pink was not seen in attire, nor in liturgy or heraldry, where various shades of red were prominent. In the 14th century, when Florentine dyers offered diverse pink tones, the color increased in popularity in paintings and textiles, was found in clothing inventories, and became so fashionable throughout Europe that, from 1380 to 1390, a craze for the color swept the French court. Still, it did not carry the association with feminine that was attached to it later, nor did it have a name. Sometimes called incarnato, referring to flesh tone, after mid-18th-century horticulturalists developed new pale shades of roses, that term was replaced by the French word rose, meaning “a pretty pink tint.” Gradually, over the next hundred years, pink entered the aesthetic and literary lexicon as associated with female beauty, gentleness, and delicate feelings. From the mid-19th to mid-20th century, that association passed from young women to little girls and, with the creation of Barbie in 1959, to their older sisters. Besides tracing the trajectory of the color’s popularity, Pastoureau looks at many substances—plants, minerals, insects—used in dyes and paints to produce pink tones, as well as recipes for creating and applying pink pigments.
An entertaining, beautifully produced volume.Pub Date: Feb. 11, 2025
ISBN: 9780691266268
Page Count: 192
Publisher: Princeton Univ.
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
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