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THE WONDER TEST

The plot is sound, the action exciting, and the characters resoundingly human.

International spydom meets cutthroat suburban elitism.

After the sudden death of her husband, FBI agent Lina Connerly temporarily moves with her teenage son across the country to Northern California. Her father has also died recently, and she figures she can deal with his house while Rory attends the local public school, giving them both a change of scenery after having lost Fred. The school has all the markers of affluent suburban America: overly involved parents, a ridiculous endowment, and the Wonder Test, an extreme standardized test taken by all the schools in Silicon Valley. Studying such esoteric categories as “Ethicalities” and “Future Functionalities,” students don’t attend any real classes but instead spend all of their time taking seminars that will prepare them for the test. Lina isn’t overly concerned about the school's eccentricities, but when she hears that three students have gone missing in past years only to reappear a week later, underfed and with their heads shaved, her spider sense begins to tingle. Having spent her FBI career in foreign counterintelligence, she can’t resist a mystery. Between pinging phones, following suspects, and staging interrogations, Lina eventually approaches the truth—and danger. When Rory’s girlfriend disappears on the eve of the Wonder Test, Lina and Rory must find her. Appealingly, all of this happens as Lina navigates her own grief, comes to terms with the way she has allowed her job to consume her, and faces the fact that Rory shares her interest in intrigue. The overlay of international spycraft on suburban California, whose shiny facade conceals the most heinous of sins and vanities, is surprisingly effective. Richmond also has fun by including a question from the Wonder Test at the beginning of each chapter, emphasizing the ridiculously competitive world of affluent high schools.

The plot is sound, the action exciting, and the characters resoundingly human.

Pub Date: July 6, 2021

ISBN: 978-0-8021-5850-5

Page Count: 448

Publisher: Atlantic Monthly

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

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  • New York Times Bestseller

When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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