by Michelle Stacey ‧ RELEASE DATE: April 14, 1994
Stacey, a magazine journalist, contends that Americans have become paranoid about food, especially about fat, and that our fears have taken the pleasure out of eating. To support this contention, she marshals Julia Child, who complains about our ``fear of food,'' and chef and cookbook author Jacques PÇpin, who claims that we are ``berserk about food.'' Stacey thinks we might be ``surprised'' to learn of similar anxieties felt by diet reformists of 100 years ago. We're not, if we've kept up with other popular food histories of recent years. Nor is her closing recommendation, for moderation and emulation of traditional diets, so different from that of the nutrition-minded authorities she scorns. She certainly exaggerates the ``paranoia,'' pretty much ignores its objective causes other than the fat factor, and sometimes backs down on that, conceding in places that too much fat is ``not good for anyone.'' Her opinionated assertions and assumptions can be annoying to readers who can't answer back. Still, she writes well and has an intelligent grasp of her material, and the heart of the book is meatier than the bracketing position papers. Her chapter on the case against fat gives a fair and succinct review of major studies. Other chapters based on interviews report on the problems of the product Simplesse and other fake fats in getting the taste and texture just right; the failure of Quaker Oats to hop off the oat bran wave before it crashed; and the ongoing research into and development of ``nutraceuticals'' (probably destined for pill form) and ``designer foods'' such as anti-cancer juice drinks (with concentrations of, say, beta-carotene) and bread made with flaxseed (high in heart- healthy omega-three fatty acids and other disease-fighting nutrients). Without thumping, Stacey touches on the practical and philosophical, not to mention aesthetic and culinary, questions these endeavors suggest. She also casts a cool and knowing eye on eating disorders and on overzealous restaurant-goers, though these chapters are less informative. In all, provocative and accomplished.
Pub Date: April 14, 1994
ISBN: 0-671-76754-2
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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