Taylor is a fine writer, despite a lack of subtlety and nuance, and the story of Keith and Miranda is well-grounded in...
What begins as a bland, fairy-tale romance between toned and tan blue-eyed teenagers becomes an emotional grapple over morals and the consequences of teenage sex.
What an exciting 16th birthday for protagonist Miranda: She goes to a concert, dances with a hottie, gives him her number and–OMG!–he calls the next day. She and Keith start dating, and he's everything she ever wanted: sexy, kind, sensitive, trustworthy. Miranda, though, dated a football player during her freshman and sophomore years and now regrets it. The rest of the football team harasses her about her history, but compassionate Keith stands by her. They take things slow, but eventually have sex–unprotected sex, despite the recent drama over Miranda's best friend's sister's unplanned pregnancy, a fate that will befall Miranda as well. She's subsequently physically assaulted by a football player, sending her spiraling emotionally and mentally downward. The author stops just short of pushing a finger-wagging, just-say-no morality lesson, while laying out worst-case-scenarios that all point back to teenage sex. An anti-abortion message is implied, though Miranda's eventual decision to have an abortion is depicted with realistic complexity. There's nary a mention of sexually transmitted diseases. Perhaps that's for a sequel.
Taylor is a fine writer, despite a lack of subtlety and nuance, and the story of Keith and Miranda is well-grounded in reality: It's not always happily ever after.Pub Date: Oct. 1, 2004
ISBN: 0-9746481-3-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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