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CHINA DOLLS

Less a novel than an exercise in niche marketing.

Two debut novelists depict work and romance as experienced by three young Asian-American women.

M.J. Wyn is a sportswriter. Alex Kwan is a lawyer. Lin Cho is a stockbroker. They’re all young, and they all live and work in New York. They have difficulties in their male-dominated professions. They often clash with their tradition-minded, immigrant families. And, of course, they’re unlucky in love. In telling their stories, Yu and Kan never deviate from the conventions of chick lit. Anyone who has ever seen a screwball comedy or read a contemporary romance will realize that M.J. finds her quirky colleague Jagger so very annoying that she has little choice but to fall in love with him, as soon as she gets over the country-club jerk who dumped her in high school. Likewise, Lin seems destined to be with kind, earnest Stephen the moment she thinks of him as “so dorky”—never mind her infatuation with a handsome weasel named Drew. The authors’ respect for convention wouldn’t be a problem if they wrote with the kind of fizz and sparkle that animates the genre’s best. Unfortunately, the prose here is painfully pedestrian. Characters think and say such things as “Talk about a blast from the past” and “Sounds like a plan.” And it’s not just that no one will suspect that the banter between M.J. and Jagger has been lifted from a Howard Hawks film; rather, it’s that it barely registers as banter at all, and the dialogue between the other characters and their men isn’t any better. The issues that these young women have with their Chinese-American families are distinct and interesting—M.J.’s family is unashamedly aghast when she’s pictured on Page Six dancing with a black basketball player, for example—but the authors never explore these matters in any depth.

Less a novel than an exercise in niche marketing.

Pub Date: Feb. 8, 2007

ISBN: 0-312-36280-3

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2006

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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