A spirited, heartfelt homage to reading.
Pulitzer Prize winner Kakutani, former chief book critic at the New York Times, has been a capacious, eclectic reader since childhood. Aiming to encourage reading and rereading, she presents succinct essays on more than 130 books that she believes “deserve as wide an audience as possible,” ranging from the Odyssey to Ocean Vuong’s novel On Earth We’re Briefly Gorgeous, “an unsparing rumination on identity” published in 2019. In the introduction, Kakutani rehearses predictable assertions about the benefits of reading. Books, she writes, “can transport us back to the past” and “forward to idealized or dystopian futures,” take us to far-off places, and introduce us to beliefs different from our own. They “can surprise and move us, challenge our certainties, and goad us into reexamining our default settings.” The essays themselves are more perceptive, offering fresh, inspired assessments of a wide range of fiction, nonfiction, and poetry: memoir, biography, and history; social, political, environmental, and cultural analysis; nature writing; children’s books (she responds to six Dr. Seuss stories with her own, unfortunate, doggerel), and young adult fiction. Kakutani focuses on many canonical texts, including The Federalist Papers, George Washington’s Farewell Address, Moby-Dick, Frankenstein, Winesburg, Ohio, The Waste Land, The Great Gatsby, and Invisible Man; and on canonical authors, such as Saul Bellow, Philip Roth, George Orwell, and Toni Morrison. But surprises abound, including four books by and about Muhammad Ali (“a larger-than-life figure: not just an incandescent athlete dancing under the lights, but a man of conscience who spoke truth to power”); Richard Flanagan’s “dazzling, phantasmagorical” Gould’s Book of Fish; Tommy Orange’s “fierce, sad, funny, and transcendent novel” There, There; the Harry Potter books (“one of literature’s ultimate bildungsromans”; two “heart-stopping books” about the war on terror (David Finkel’s The Good Soldiers and Thank You for Your Service); and a sprightly biography of Frank Sinatra.
A spirited, heartfelt homage to reading.Pub Date: Oct. 20, 2020
ISBN: 978-0-525-57497-2
Page Count: 304
Publisher: Clarkson Potter
Review Posted Online: Aug. 25, 2020
Kirkus Reviews Issue: Sept. 15, 2020
A powerful melding of image and text inspired by Instagram yet original in its execution.
Smith returns with a photo-heavy book of days, celebrating births, deaths, and the quotidian, all anchored by her distinctive style.
In 2018, the musician and National Book Award–winning author began posting on Instagram, and the account quickly took off. Inspired by the captioned photo format, this book provides an image for every day of the year and descriptions that are by turns intimate, humorous, and insightful, and each bit of text adds human depth to the image. Smith, who writes and takes pictures every day, is clearly comfortable with the social media platform—which “has served as a way to share old and new discoveries, celebrate birthdays, remember the departed, and salute our youth”—and the material translates well to the page. The book, which is both visually impactful and lyrically moving, uses Instagram as a point of departure, but it goes well beyond to plumb Smith’s extensive archives. The deeply personal collection of photos includes old Polaroid images, recent cellphone snapshots, and much-thumbed film prints, spanning across decades to bring readers from the counterculture movement of the 1960s to the present. Many pages are taken up with the graves and birthdays of writers and artists, many of whom the author knew personally. We also meet her cat, “Cairo, my Abyssinian. A sweet little thing the color of the pyramids, with a loyal and peaceful disposition.” Part calendar, part memoir, and part cultural record, the book serves as a rich exploration of the author’s fascinating mind. “Offered in gratitude, as a place to be heartened, even in the basest of times,” it reminds us that “each day is precious, for we are yet breathing, moved by the way light falls on a high branch, or a morning worktable, or the sculpted headstone of a beloved poet.”
A powerful melding of image and text inspired by Instagram yet original in its execution.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-44854-0
Page Count: 400
Publisher: Random House
Review Posted Online: Sept. 5, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Dense and striking, to be savored and reread.
A compact return to the personal by one of today’s sharpest literary minds.
Following two recent works of cultural criticism, Nelson’s new text swings and sings back to the intimate and personal. Her quest to alleviate persistent, consuming orofacial pain serves as a narrative backbone assembled from a series of treatment plans, including Botox, a tongue-tie frenectomy, and even the suggestion to tape her mouth shut while sleeping. As she collects recommendations for pain management that veer from the surgical to the “woo-woo”—each promising accurate diagnosis and permanent deliverance—Nelson drifts between the tangible sensation of her pain and the surreality of her dreams. Her search for relief swells around the puncture wound of the coronavirus, and her prose echoes the nebulous space and abrupt transitions between specifics of time, place, interrupted activity, and the singularity and absurdity of that period. Tensions and tenderness in her relationships with her partner, her son, and a dear friend on the verge of a lonely death are atomized by the pandemic, dancing in the shadows alongside twisted nightmares, reflections on her career, and visits to dentists, therapists, and other healers. While the text is short, it packs plenty of Nelson’s signature power punches of brilliance and shrewd humor, driving the reader to look between carefully constructed lines that twitch with secrets and memories held and defended. The author’s audit of her physical pain, its undulating waves, and its stubborn betrayal of and distraction to her body and mind serves as a conduit for discerning the necessity of a person’s mouth, voice, and words, cautioning against both exhausting one’s words and stifling a person’s speech, revealing both the power and burden of what is said and what is not.
Dense and striking, to be savored and reread.Pub Date: April 1, 2025
ISBN: 9798891060111
Page Count: 80
Publisher: Wave Books
Review Posted Online: March 21, 2025
Kirkus Reviews Issue: April 15, 2025
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