A delightful volume that deftly and wittily balances learning with humor and approachable perspective.
Human history is told in a series of bite-size, point-of-view cartoons covering lots of ground.
What if the Age of Enlightenment were encapsulated by Isaac Newton's cat, Spithead? What if a Greek vase could talk, providing insight into ancient pottery making? This delightful, informational, and necessarily loopy book tackles history in three parts: “Ancient History,” “The Middle Ages,” and “The Modern Age.” The book goes in strange directions, giving inanimate objects, locations, and animals the same weight as, say, a day in the life of a “movie writer” from 1927 or the queen of England. As with the duo's previous book, A Day in the Life of a Poo, a Gnu and You (2020), pages featuring panels are intercut with “Bigger Picture” spreads, fictional diaries, and “Newsflashes” that detail other events happening around the same time. Those features break up what might otherwise be an exhausting read, not because the energetic, playful writing and versatile drawings aren't entertaining but because there is so much factual material being covered in between Game of Thrones references, talking poop, and on-point critiques of, for instance, Christopher Columbus’ inhumane treatment of Indigenous people. The book is worth returning to again and again for new nuggets of knowledge (“Neolithic humans used flint axes and wedges to work me into shape,” says a Standing Stone from 2100 B.C.E., “Talk about a 'splitting' headache!”). Characters range in skin tone throughout.
A delightful volume that deftly and wittily balances learning with humor and approachable perspective. (glossary, “About Mike and Jess”) (Graphic nonfiction. 9-12)Pub Date: Aug. 1, 2022
ISBN: 978-1-78055-713-7
Page Count: 128
Publisher: Buster Books
Review Posted Online: May 6, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
IN THE NEWS
Playful, provocative, and packed with perspective.
Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?
Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.
Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)Pub Date: May 26, 2026
ISBN: 9798888599082
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
PERSPECTIVES
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