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FALLING FROM TREES

An uneven but often engaging short story cycle.

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A collection of otherworldly tales from Fiorito.

This set of loosely connected stories touches on a wide range of timely and universal topics via science-fictional elements. In “Climbing Time,” for instance, aliens make use of the brains of human beings with Asperger syndrome to transmit information about how to save Earth from ecological ruin. In “The Love of a Dandelion,” a young man named Colin loves the sun and the color yellow, because he’s able to see information about the mysteries of the universe in them. “Tiny Blue Oceans” follows astronaut Capt. Collins, who drifts patiently through space as Command Control attempts to fix his booster jets; he’s trying to keep up hope, but he becomes disheartened when they allow him to video-call his wife. “A Star in Time” introduces a being named Smith, who’s not from Earth and features in several more stories; he carries a pendant that allows him to travel to other worlds. He also travels around North America and meets other humans in his quest to find a place to belong. Fiorito’s compendium of stories may strike readers as somewhat hit or miss. Overall, though, readers will largely find it entertaining. The stories run the gamut from fully realized works to quick, slice-of-life glimpses of characters. The connections between the tales aren’t immediately obvious, which may leave some readers with literary whiplash as storytelling styles change, but the links are clearer by the end. Occasionally, snatches of dialogue feel unnatural, as when a young boy says, “I see the immortality of yellow. Even suns and flowers come and go. But yellow is forever.” Still, such moments add to the otherworldly feel that seems to be the author’s aim.

An uneven but often engaging short story cycle.

Pub Date: Feb. 9, 2021

ISBN: 978-1-62720-332-6

Page Count: 136

Publisher: Apprentice House

Review Posted Online: Jan. 13, 2021

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PROJECT HAIL MARY

An unforgettable story of survival and the power of friendship—nothing short of a science-fiction masterwork.

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Weir’s latest is a page-turning interstellar thrill ride that follows a junior high school teacher–turned–reluctant astronaut at the center of a desperate mission to save humankind from a looming extinction event.

Ryland Grace was a once-promising molecular biologist who wrote a controversial academic paper contesting the assumption that life requires liquid water. Now disgraced, he works as a junior high science teacher in San Francisco. His previous theories, however, make him the perfect researcher for a multinational task force that's trying to understand how and why the sun is suddenly dimming at an alarming rate. A barely detectable line of light that rises from the sun’s north pole and curves toward Venus is inexplicably draining the star of power. According to scientists, an “instant ice age” is all but inevitable within a few decades. All the other stars in proximity to the sun seem to be suffering with the same affliction—except Tau Ceti. An unwilling last-minute replacement as part of a three-person mission heading to Tau Ceti in hopes of finding an answer, Ryland finds himself awakening from an induced coma on the spaceship with two dead crewmates and a spotty memory. With time running out for humankind, he discovers an alien spacecraft in the vicinity of his ship with a strange traveler on a similar quest. Although hard scientific speculation fuels the storyline, the real power lies in the many jaw-dropping plot twists, the relentless tension, and the extraordinary dynamic between Ryland and the alien (whom he nicknames Rocky because of its carapace of oxidized minerals and metallic alloy bones). Readers may find themselves consuming this emotionally intense and thematically profound novel in one stay-up-all-night-until-your-eyes-bleed sitting.

An unforgettable story of survival and the power of friendship—nothing short of a science-fiction masterwork.

Pub Date: May 4, 2021

ISBN: 978-0-593-13520-4

Page Count: 496

Publisher: Ballantine

Review Posted Online: Feb. 9, 2021

Kirkus Reviews Issue: March 1, 2021

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ARTEMIS

One small step, no giant leaps.

Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.

Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”

One small step, no giant leaps.

Pub Date: Nov. 14, 2017

ISBN: 978-0-553-44812-2

Page Count: 320

Publisher: Crown

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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