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MAGIC IN THE AIR

THE MYTH, THE MYSTERY, AND THE SOUL OF THE SLAM DUNK

A suitably vibrant history of spectacular doings on—and above—the hardwood.

Naysayers can’t ground the coolest shot in basketball.

A staple of postgame shows and social media feeds, the slam dunk is omnipresent, but the opposite was once true, Sielski, a Philadelphia sportswriter and Kobe Bryant biographer, writes in this informative account. Consider the book’s cover star, Julius Erving, who wowed fans by leaping from the free-throw line, 15 feet from the hoop, and slamming the ball home. Born in 1950, “Dr. J” was never more athletic than in the early 1970s, but playing in the ABA, an upstart league without a national TV contract, “he was invisible,” a pro basketball executive tells Sielski. At least the ABA let him dunk. While at the University of Massachusetts, Erving, like every other college player from 1967 to 1976, was prohibited from dunking during games. Sielski shows that race was among the factors behind the purportedly safety-minded rule change. By the late 1960s, Black players like UCLA’s Lew Alcindor—he’d later change his name to Kareem Abdul-Jabbar—were dominating the college game. The “Anti-Alcindor Rule,” as some called the dunk ban, was meant to temper his above-the-rim supremacy, and Abdul-Jabbar was among those who said the rule change wouldn’t have been implemented if he were white. Sielski chases a host of historical leads about early dunkers, yielding memorable, if not always verifiable, anecdotes. Joe Fortenberry, a college player in Texas, dunked in a 1930s game, but his coach said, “Joe, that’s not elegant” and forbade further dunks. Holding two basketballs and tossing a third in the air as he jumped, New York City phenom Connie Hawkins could dunk all three before landing. Sielski writes about great recent dunkers, but his chapters on Michael Jordan and Ja Morant offer little that will be new to fans.

A suitably vibrant history of spectacular doings on—and above—the hardwood.

Pub Date: Feb. 11, 2025

ISBN: 9781250287526

Page Count: 368

Publisher: St. Martin's

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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