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HOLLYWOOD PARK

A MEMOIR

A musician proves himself a talented, if long-winded, writer with a very good memory.

A painstaking emotional accounting of a tortured youth ultimately redeemed through music, therapy, and love.

In his debut, Jollett, the frontman for the indie band Airborne Toxic Event, opens the narrative in an orphanagelike facility in California when he was introduced to a strange woman who had come to take him away. “I remember that a 'Mom' is supposed to be a special thing....She tells me I’m her son and she wanted kids so she would not be alone anymore and now she has us and it is a son’s job to take care of his mother,” he writes. Both the author's parents were members of Synanon, a drug-recovery program–turned-cult that took children from their parents when they were 6 months old. After their release from captivity, Jollett and his brother grew up in extreme poverty in rural Oregon. Their mother's distorted view of the parent-child relationship made her almost completely useless as a caretaker; her terminally alcoholic boyfriend was the boys' only reliable source of either physical sustenance or affection. For the first third of the book, the author attempts to portray the world, and the English language, as he perceived it at age 5 and 6. His troubled mother had “deep-russian.” She hated “Thatasshole Reagan.” Another escapee from the cult was beaten by goons and developed “men-in-ji-tis” in the hospital; he thought about sending the cult leader a “sub-peena.” This becomes tiring, and since Jollett's mother was ultimately diagnosed with a personality disorder, the level of detail and repetition with regard to her maternal failures is overdone. The author's father, though an ex-con and former addict, is the story’s hero; he is beautifully written and lights up the book. In fifth grade, a friend introduced Jollett to the Cure. The Smiths and David Bowie were not far behind, and the teenage portion of the book, during which he often lived with his father in Los Angeles, is a smoother read. Ultimately, as he lucidly shows, music would change his life.

A musician proves himself a talented, if long-winded, writer with a very good memory.

Pub Date: May 5, 2020

ISBN: 978-1-250-62156-6

Page Count: 384

Publisher: Celadon Books

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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MADHOUSE AT THE END OF THE EARTH

THE BELGICA'S JOURNEY INTO THE DARK ANTARCTIC NIGHT

A rousing, suspenseful adventure tale.

A harrowing expedition to Antarctica, recounted by Departures senior features editor Sancton, who has reported from every continent on the planet.

On Aug. 16, 1897, the steam whaler Belgica set off from Belgium with young  Adrien de Gerlache as commandant. Thus begins Sancton’s riveting history of exploration, ingenuity, and survival. The commandant’s inexperienced, often unruly crew, half non-Belgian, included scientists, a rookie engineer, and first mate Roald Amundsen, who would later become a celebrated polar explorer. After loading a half ton of explosive tonite, the ship set sail with 23 crew members and two cats. In Rio de Janeiro, they were joined by Dr. Frederick Cook, a young, shameless huckster who had accompanied Robert Peary as a surgeon and ethnologist on an expedition to northern Greenland. In Punta Arenas, four seamen were removed for insubordination, and rats snuck onboard. In Tierra del Fuego, the ship ran aground for a while. Sancton evokes a calm anxiety as he chronicles the ship’s journey south. On Jan. 19, 1898, near the South Shetland Islands, the crew spotted the first icebergs. Rough waves swept someone overboard. Days later, they saw Antarctica in the distance. Glory was “finally within reach.” The author describes the discovery and naming of new lands and the work of the scientists gathering specimens. The ship continued through a perilous, ice-littered sea, as the commandant was anxious to reach a record-setting latitude. On March 6, the Belgica became icebound. The crew did everything they could to prepare for a dark, below-freezing winter, but they were wracked with despair, suffering headaches, insomnia, dizziness, and later, madness—all vividly capture by Sancton. The sun returned on July 22, and by March 1899, they were able to escape the ice. With a cast of intriguing characters and drama galore, this history reads like fiction and will thrill fans of Endurance and In the Kingdom of Ice.

A rousing, suspenseful adventure tale.

Pub Date: May 4, 2021

ISBN: 978-1-984824-33-2

Page Count: 384

Publisher: Crown

Review Posted Online: Jan. 29, 2021

Kirkus Reviews Issue: March 1, 2021

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THE BOOK OF DELIGHTS

ESSAYS

An altogether charming and, yes, delightful book.

A collection of affirmations, noncloying and often provocative, about the things that make justice worth fighting for and life worth living.

Gay—a poet whose last book, the winner of the National Book Critics Circle Award, bears the semantically aligned title Catalog of Unabashed Gratitude (2015)—is fully aware that all is not well in the world: “Racism is often on my mind,” he writes by way of example. But then, he adds, so are pop music, books, gardening, and simple acts of kindness, all of which simple pleasures he chronicles in the “essayettes” that make up this engaging book. There is much to take delight in, beginning with the miraculous accident of birth, his parents, he writes, a “black man, white woman, the year of Loving v. Virginia, on a stolen island in the Pacific, a staging ground for American expansion and domination.” As that brief passage makes clear, this is not a saccharine kind of delight-making but instead an exercise in extracting the good from the difficult and ugly. Sometimes this is a touch obvious: There’s delight of a kind to be found in the odd beauty of a praying mantis, but perhaps not when the mantis “is holding in its spiky mitts a large dragonfly, which buzzed and sputtered, its big translucent wings gleaming as the mantis ate its head.” Ah, well, the big ones sometimes eat the little ones, and sometimes we’re left with holes in our heads, an idiom that Gay finds interesting if also sad: “that usage of the simile implies that a hole in the head, administered by oneself, might be a reasonable response.” No, the reasonable response is, as Gay variously enumerates, to resist, enjoy such miracles as we can, revel in oddities such as the “onomatopoeicness of jenky,” eat a pawpaw whenever the chance to do so arises, water our gardens, and even throw up an enthusiastic clawed-finger air quote from time to time, just because we can.

An altogether charming and, yes, delightful book.

Pub Date: Feb. 12, 2019

ISBN: 978-1-61620-792-2

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 12, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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