by Mikhail Kononov & translated by Andrew Bromfield ‧ RELEASE DATE: June 1, 2004
Outrageously funny for the first few chapters, but wears very thin and becomes quite tedious in short order: Kononov’s humor...
Over-the-top first novel from Russia that butchers an entire stockyard full of sacred communist cows in its account of the military and erotic exploits of a 15-year-old girl during the Siege of Leningrad.
Fifteen years ago a publication like this would have been printed on bootleg mimeographs and probably have earned its author a nice long stay in some Siberian gulag. Today, however, it seems more like an exercise in cheap laughs. There isn’t much of a story—at least not much of a coherent one. Our heroine is the dauntless Maria “Midge” Mukhina, a teenaged Young Pioneer (the Soviet equivalent of the Hitler Youth) who longs so desperately to serve in the Great Patriotic War (WWII) that she forges the necessary papers and enlists as a machine-gunner in the Red Army. Midge is the embodiment of all the socialist virtues extolled in the propaganda pieces of the time: daring, selfless, obedient, and absolutely confident in the leadership of Comrade Stalin. So zealous is she for the defense and triumph of the People’s Revolution that she’s honored by the great Marshall Zhukov, the Defender of Moscow, with a secret mission that will make her a Hero of the Soviet Union—posthumously, of course. How has Midge earned such a commission? On her back, mostly, attending to the needs of all the men in her regiment (officers getting priority, naturally) night after night for the last several years. But now Midge’s nighttime duties take on a new form, since she has found a way to leave her body and fly, stark-naked, through the skies over Leningrad each night. Naturally, this strikes fear into the hearts of the Germans, whose panzers are no match for the airborne nude nymph of the Red Army.
Outrageously funny for the first few chapters, but wears very thin and becomes quite tedious in short order: Kononov’s humor depends on familiarity with the pomposities of Soviet mythology that will be lost on most Americans.Pub Date: June 1, 2004
ISBN: 1-85242-835-X
Page Count: 256
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
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by Josie Silver ‧ RELEASE DATE: Oct. 16, 2018
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Homer ; translated by Emily Wilson ‧ RELEASE DATE: Nov. 7, 2017
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’...
Fresh version of one of the world’s oldest epic poems, a foundational text of Western literature.
Sing to me, O muse, of the—well, in the very opening line, the phrase Wilson (Classical Studies, Univ. of Pennsylvania) chooses is the rather bland “complicated man,” the adjective missing out on the deviousness implied in the Greek polytropos, which Robert Fagles translated as “of twists and turns.” Wilson has a few favorite words that the Greek doesn’t strictly support, one of them being “monstrous,” meaning something particularly heinous, and to have Telemachus “showing initiative” seems a little report-card–ish and entirely modern. Still, rose-fingered Dawn is there in all her glory, casting her brilliant light over the wine-dark sea, and Wilson has a lively understanding of the essential violence that underlies the complicated Odysseus’ great ruse to slaughter the suitors who for 10 years have been eating him out of palace and home and pitching woo to the lovely, blameless Penelope; son Telemachus shows that initiative, indeed, by stringing up a bevy of servant girls, “their heads all in a row / …strung up with the noose around their necks / to make their death an agony.” In an interesting aside in her admirably comprehensive introduction, which extends nearly 80 pages, Wilson observes that the hanging “allows young Telemachus to avoid being too close to these girls’ abused, sexualized bodies,” and while her reading sometimes tends to be overly psychologized, she also notes that the violence of Odysseus, by which those suitors “fell like flies,” mirrors that of some of the other ungracious hosts he encountered along his long voyage home to Ithaca.
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’ recent translations of Homer; still, a readable and worthy effort.Pub Date: Nov. 7, 2017
ISBN: 978-0-393-08905-9
Page Count: 656
Publisher: Norton
Review Posted Online: Sept. 3, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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