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NINETEEN STEPS

Poorly drawn characters and clichés abound in this familiar story of WWII.

A tale of love, war, and tragedy in 1940s London.

Brown’s debut is touted as being inspired by events that affected her own family, but just about anyone who has seen a movie about World War II could probably have written a similar novel; the story and tropes are all too familiar. Set in the Bethnal Green neighborhood of London, the story follows young Nellie Morris, who works for the mayor’s office. Nellie, who lives with her parents, brother George, and adored little sister Flo, navigates wartime scarcities and endures the frequent air raids with as much grace as she can muster with German bombers screaming overhead. She does have fun hanging out with her childhood friends Babs and Billy, the latter of whom is not-so-secretly in love with her. But when the sirens howl, laughter is forgotten as the whole neighborhood flees to the Underground station to wait out the bombs. The tedium and terror are interrupted when Nellie meets Ray Fleming, a handsome American airman, who tells her tales of his native Michigan, and suddenly her hopes and dreams for the future blossom. But a shocking tragedy upends their romance, and Nellie must confront hard questions of civil and personal responsibility. Brown is best known for playing the telekinetic Eleven on Netflix’s hit series Stranger Things, and her fans are likely to reach with excitement and hopeful generosity for this coming-of-age story. But it is inexpertly written, its major tragic scene confusing and poorly described, and the characters never transcend the paper-thin clichés with which they were constructed (plucky young woman; handsome Yank; asthmatic, nobly suffering friend). Though it seems likely to be a hit, the novel lacks the depth to elicit real emotion.

Poorly drawn characters and clichés abound in this familiar story of WWII.

Pub Date: Oct. 3, 2023

ISBN: 9780063335776

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 31, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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