Readers who like a streak of danger and politics in their romance will thrill to this whip-smart historical.
The attraction between Effie Flite and Gabriel Royce is offset by the magnitude of their competing interests in a high-stakes historical tango.
As outsiders infiltrating the upper echelons of London society with competing political agendas, Effie and Gabriel are fascinated and alarmed when they meet. Effie is masquerading as an aristocratic young lady on the marriage market though she’s really a penniless orphan from the slums of St. Giles and protégé of the mysterious Miss Corvus. In a brilliant reimagining of the infamously jilted Miss Havisham of Great Expectations, instead of having her simply wasting away in a mansion stuck in time, Miss Corvus trains girls to push England forward by becoming undercover activists in the service of women’s rights. Effie is her first and greatest pupil, tasked with bringing down the villainous Viscount Compton who opposes reforming the married women’s property bill, the crux of the legal and financial subjugation of women. “Compton must be destroyed,” Corvus instructs Effie, “His ruination will be the salvation of this proposal.” While Effie’s feminine charms are her weapon, “influence was currency to Gabriel. He knew how to wield it. To weaponize it.” He gains power through his betting shop, using his aristocratic clients’ debts and the intel on them he hoards as leverage to compel their support for improving living conditions in the Rookery, the slum he was raised in. One of those aristocrats is Lord Compton, and Gabriel’s success hinges on him remaining in power. Like her peers Courtney Milan and Alyssa Cole, Matthews deftly blends social history with epic love stories. As Effie and Gabriel’s attraction and conflicts bloom, readers gain a window into struggles over class and gender in late 19th-century England.
Readers who like a streak of danger and politics in their romance will thrill to this whip-smart historical.Pub Date: May 20, 2025
ISBN: 9780593639290
Page Count: 400
Publisher: Berkley
Review Posted Online: Aug. 29, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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