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LANDSLIDE

TRUE STORIES

Affecting stories told effectively, with all the complications involved in searching for truth.

Stories matter, memory is tricky, the past permeates us: these and other insights appear continually in a collection of interwoven personal essays.

There is no indication that these pieces have been published elsewhere, though an internet search turns up some previous online appearances. Proctor (Creative Writing/Fairleigh Dickinson Univ.; Do You Hear What I Hear? Religious Calling, the Priesthood, and My Father, 2005, etc.), a translator, author, and editor, tells a number of stories, some of which resemble one another in certain ways, others that deal with adolescent foolishness, parents, motherhood, religion, psychotherapy, writing and translating, death and dying. Throughout, the author remains candid about herself—sometimes brutally, painfully so. She discusses her early difficulties in school; her relationships with men, including marriage(s); her times living abroad, where she learned Italian—she’s now a translator; her admiration for various writers, including Muriel Spark; her children’s sometimes-evocative conversations; and her visits with an astrologer. Proctor’s essays sometimes allude to one another in ways—sometimes subtle, sometimes patent—and she is very fond of endings and exits that evoke high emotion in a few words. Her text, as well, is full of pithy, even aphoristic phrases and sentences—e.g., “the perversions of memory”; “It is tricky to talk about shame.” In several pieces, the author employs a technique resembling a musical motif: in one essay, she revisits Waiting for Godot several times; in another, an astrologer’s observations pop up now and then. Among the most wrenching of her stories, which appears throughout the collection, is that of her mother’s losing battle with cancer. The final essay, “The Waiting Earth,” which takes readers to a cemetery, features a final sentence that will create a tear in even the driest of eyes.

Affecting stories told effectively, with all the complications involved in searching for truth.

Pub Date: Sept. 19, 2017

ISBN: 978-1-936787-61-6

Page Count: 160

Publisher: Catapult

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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