You need a scorecard to keep track of the proceedings, but Palol delivers an entertaining intellectual mystery.
Hallucinatory, genre-hopping novel of improbably interwoven stories.
Originally published in Catalan in 1989, Palol’s novel is prescient in imagining a world riven by predatory capitalism, inequality, and an endless series of conflicts branded as the “Four Wars of Entertainment.” The antagonists—the U.S., Russia, China, and the “Union of Islamic States”—fling nuclear missiles at each other and the rest of the world, and soon cities such as Paris and London are gone. So, too, is Barcelona, where the unnamed inaugural narrator of Palol’s sequence of nested tales has lived until, by a stroke of fortune, he is invited to flee to the mountain stronghold of an enigmatic rich man. The narrator ponders the essential unfairness of the deal, imagining “a moment at which the most notorious of the privileged would become emblematic of the abhorrent situation as a whole and the community would cut their throats as a ritual, concrete, and peremptory ratification of a new era.” Still, he’s content to roam the halls drinking fine wines and looking at original Leonardos and Van Goghs even as the assembled guests, in the manner of The Decameron, begin to tell stories that spin small-time crooks, street thugs, politicians on the make, intellectuals, and the rest of society into a web controlled by an omnipotent bank, a central institution in the “dirty, shimmering world of savage capitalism.” Palol dips into science fiction, horror, dystopian literature, Marxist social criticism, and even a touch of pornography to build these tales, which eventually come to turn on the quest to control a jewel, “the fire that emerged from the forehead of Lucifer at the moment of his fall,” that in turn can control the fate of the world. Naturally, gangsters, capitalists, nation-states, and everyone else wants the thing—if, that is, it really exists, and if the tellers of its tales are really who they say they are.
You need a scorecard to keep track of the proceedings, but Palol delivers an entertaining intellectual mystery.Pub Date: March 21, 2023
ISBN: 978-1-628974-51-5
Page Count: 888
Publisher: Dalkey Archive
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
Imaginative, impressive, and illuminating.
A 12-year-old girl determines to unmask a serial killer in this extravagantly ambitious story of small-town Britain in 1979.
On the surface, Miv’s life seems to belong to an idyllic bygone era: She and her best friend, Sharon, walk to school every morning, passing a “snappy Jack Russell” and stopping to greet Omar, “the man in the corner shop,” who calls them the “Terrible Twosome.” But danger lurks around the edges of these familiar paths and faces; it’s been a few years since the Yorkshire Ripper began murdering nearby women, and the women and girls of the town have started taking a little extra care when they’re walking late and alone. Margaret Thatcher has recently been elected prime minister, pushing certain strains of misogyny and racism to the forefront of conversations and village life. For her part, Miv is trying to adjust to her mother’s complete withdrawal from the family due to depression. When she has the opportunity to make a wish, she wishes to “be the person to catch the Yorkshire Ripper,” and so begins a series of events that will forge friendships, expose bigots, and culminate in both tragedy and catharsis. The scope of the book is significant, and Godfrey shows a masterful control of the sprawl. This is a novel about a particular time that looks both backward and forward. For Miv and Sharon, straddling the gulf between childhood and adulthood and beginning to learn who they are, it’s a coming-of-age story; for Britain, struggling to hold space for a strong female leader alongside her conservative and xenophobic policies, it’s equally a story of reluctant yet inevitable change. Despite some chapters told from other characters’ perspectives, this is very much Miv’s tale, and hers is one of the most engaging voices in recent fiction, both heartbreakingly innocent and incisively intelligent.
Imaginative, impressive, and illuminating.Pub Date: Dec. 2, 2025
ISBN: 9781464249051
Page Count: 416
Publisher: Sourcebooks Landmark
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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