Overlong and rough around the edges but still promising.
In this debut novel, specially trained operatives called Sweepers are the only thing standing in the way of creatures that devour magic—and humans.
Twenty-year-old Laura Kramer is the frequently exasperated apprentice (of only a few months) to the perennially cranky Clae Sinclair, one of the few Sweepers left on the island city of Amicae in the Orien Territories. Their job is to eradicate the infestations of monsters that result from broken magic amulets, which are used for many things, including electricity among the city’s elite, and require regular upkeep. The city’s propaganda campaign has convinced its populace that infestations are (mostly) a thing of the past, but Clae and Laura know better, and it’s up to them to keep people safe from the slimy creatures that propagate from broken magic, because once an infestation grows out of control, it’s a nasty business indeed. Laura, Clae, and a newly added apprentice, Okane, a shy Magi they liberate as “payment” from a wealthy and haughty businessman and his wife, must not only wrangle with monsters of the supernatural kind, but also mobsters and rival Sweepers. The magic system is fascinating, but the worldbuilding can be confusing: a mix of seemingly late-19th or early-20th-century industrialization with a fashion sense right out of the late 1800s ("bloomer dresses" for women are all the rage, and " 'lady trousers' weren't extremely popular"), while there are cable cars and vehicles suited to the 1930s. But, luckily, a lengthy history lesson at the midpoint will answer many readers' questions. Citizens are divided into Quarters based on social class, and it’s pretty faithfully adhered to, although Laura, who lives with her aunt Morgan and Morgan’s young daughter, Cheryl, takes great pride in bucking the system in not only how she dresses, but also in her delightful refusal to present herself as purely marriageable property. Bolender has plenty of opportunity to put a romantic interest in Laura’s path but resists this and instead lets the inquisitive Laura find her own way; Laura and Clae provide plenty of chemistry of the nonromantic kind, and there's even humor, such as Laura’s fruitless efforts to suss out Clae’s true age.
Overlong and rough around the edges but still promising.Pub Date: Nov. 20, 2018
ISBN: 978-1-250-16927-3
Page Count: 400
Publisher: Tor
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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