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THE EPHEMERAL AUTOBIOGRAPHY OF SYLVIE BAPTISTE

A sprawling family saga that expertly blends engaging characterization and surprising twists.

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In Hersey’s novel, a woman struggles to piece together her family’s past, present, and future after stumbling upon the existence of hidden magic and a centuries-long curse.

The story begins in 1975, when 5-year-old Sylvie arrives from France to live with her French Aunt Delphine in the United States for the summer. The temporary placement becomes permanent, however, after they’re informed that Sylvie’s ill mother has died. Five years later, Sylvie comes across a manuscript, presumably written by her late mother, titled The Family Tree: A History. The novel’s second part reveals the manuscript’s contents, beginning in the year 1889 and telling of a tempestuous woman named Elixabete Ibarra. Although Elixabete’s mother, Ondine, has rejected the magical abilities that the other Ibarra women share, Elixabete embraces them and learns all she can from her powerful grandmother, Paloma, and from a magic grimoire passed down the family line. Tragedy twists Elixabete’s curious nature after a series of terrible events, which leads her to conjure a curse “under a cloudless full moon, with her every resource.” This curse carries on through generations, affecting Sylvie’s family members in ways they could never have imagined. The novel’s third section picks up in 1994, with Sylvie having just received the translated version of her family’s history. Now in her 20s, she attempts to navigate her knowledge of her past, even as she falls in love and starts her own family. The final part is a letter from Sylvie to her daughter, Esmée, to be read on the occasion of the latter’s 18th birthday.

Over the course of this novel, Hersey juggles an array of different elements—including magic, forbidden romance, and family drama—while tracing more than 200 years of Ibarra history. Along the way, the author handles it all with a sense of confidence and a clear vision. Although the story itself sometimes jumps ahead years, chronologically, it always gives readers the sense of steady movement through personal revelations that transform Sylvie from a wide-eyed young girl, eating at the International House of Pancakes for the first time, to a wizened woman contemplating the end of life and the meaning of all that came before. Meanwhile, the book-within-a-book essentially acts as Elixabete’s villainous origin story; her pain effectively ripples through the family’s history, even as Hersey encourages readers to consider how much of it is true magic and how much may simply be echoes of generational trauma. Although the winding narrative, which clocks in at more than 400 pages in length, may try some readers’ patience at times, there are surprisingly very few digressions or detours along the way. Through it all, the author manages to maintain her narrative focus while also treating readers to delightfully poetic musings and descriptions: “The fig harvest that year was infused with grief; an exquisite brine of vinegar, sugar, and salt.” Overall, Hersey has ultimately crafted a compelling portrait of family life with a distinct supernatural spin.

A sprawling family saga that expertly blends engaging characterization and surprising twists.

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Review Posted Online: May 15, 2025

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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