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SIDEWAYS ON A SCOOTER

LIFE AND LOVE IN INDIA

A generously observed memoir of an American finding her way in India.

Chronicle of the five years the author spent in India defining herself as “a journalist, an adventurer, a woman.”

In the early 2000s, Kennedy was a restless 20-something journalist living and working in New York. Unwilling to wait for her ideal job to find her, she decided to “kick [her] way out of the claustrophobia of normalcy” and become what she most wanted to be—a foreign correspondent. The author relocated to India, where a British great-aunt had served as a missionary and where her own parents had lived during the early years of their marriage. The transition to her new home in New Delhi was difficult and at times painful; she was a feringhee (foreign) woman on her own in a city that did not receive many international visitors and in a culture that did not look favorably upon single females. Kennedy writes how “[e]yes followed me everywhere unless I was safely ensconced inside a five-star hotel.” She discovered that the only way she could gain any respect (and find more permanent lodgings for herself) was to present herself as a married woman with a husband abroad. In this guise, Kennedy began a process of cultural assimilation that eventually brought her into contact with the unforgettably colorful Indian women whose lives are at the heart of her story. Some, like her maid Rhada, were poor; others, like her neighbor Geeta, came from more privileged classes. Ethnicity, caste and cultural traditions separated these women, but the more Kennedy came to know them, the more she found how their traditional concerns with love and marriage were—however much as she tried to disavow it—also her own. Part personal account, part extended reportage on an ancient culture in the throes of modernization and part nonfiction narrative of manners, the book offers an intimate look at the nature, problems and limits of both Western and non-Western female freedoms in a country where “nothing is sharper than the tug of tradition and family.”

A generously observed memoir of an American finding her way in India.

Pub Date: April 26, 2011

ISBN: 978-1-4000-6786-2

Page Count: 352

Publisher: Random House

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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