by Mireille Gansel ; translated by Ros Schwartz ‧ RELEASE DATE: Nov. 14, 2017
For those interested in translation, this slim, delicate book will be a revelation.
A personal meditation on the challenging art of translation.
This extended essay by the gifted translator Gansel, a fine translation unto itself, weaves together memoir and a discussion of the nuances involved in translating foreign texts, especially poetry. The book is divided into three autobiographical sections: the author’s early years, her time spent in Vietnam during the U.S. bombings, and the challenges she faced translating the Jewish German-language poet Nelly Sachs. Gansel’s elaborate methodology, carefully developed over the years, was to do extensive research about the lives of the poets she was working on, meet with them personally whenever possible, and immerse herself in the language and the writers’ habits and writing processes. For her, translation was like a “hand reaching from one shore to another where there is no bridge.” It became the “clay from which I would fashion my own interior language.” Gansel grew up surrounded by languages: Hungarian, French, German, and some Czech and Yiddish. Early on, in Berlin, she worked on Bertolt Brecht and then the East German poets Reiner Kunze and Peter Huchel, both of whom she was able to meet and learn from. The repressive political milieu of the German divide loomed over her work. After struggling with a key word in a Kunze poem, Gansel recalls returning to the West side after a Kafkaesque checkpoint experience, smuggling “back the word I had come to seek.” In Vietnam during its darkest days, she worked with a small group of Vietnamese poets on a “vast and entirely different kind of poetry.” Gansel concludes with her personally difficult experiences translating the “deeply painful poetry” of Sachs. The poet escaped Nazi Germany, but many of her family members were sent to concentration camps and died.
For those interested in translation, this slim, delicate book will be a revelation.Pub Date: Nov. 14, 2017
ISBN: 978-1-55861-444-4
Page Count: 128
Publisher: Feminist Press
Review Posted Online: Aug. 28, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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More About This Book
BOOK TO SCREEN
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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