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HOME IS IN BETWEEN

The book will appeal particularly to children and families navigating this space between cultures.

National Book Award finalist Perkins’ picture book depicts a tale of immigration and adaptation.

In the opening spreads, Shanti says “goodbye” to her West Bengal village, with its “warm monsoon rains” and its “green palm trees,” and gives a dubious “hello” to a “town with cold rain / And orange and yellow leaves.” Here, in the United States, Shanti lives a bifurcated life: Inside feels familiar, with Ma cooking luchi; outside feels strange, with “napkins on laps” and “no elbows on tables.” Shanti occupies a liminal space, the “in-between” of the title, ricocheting from kathak dance to ballet, from Bollywood to Hollywood, from harmonium to piano. “Learning the town. / Remembering the village. / Again and again. / In Between.” When a White kid explains T-ball to Shanti and then demands, “Where are you from, Mars?” Shanti “feels tired” at this obviously racist attack. A couple of page turns and some months (judging by the illustrations) later, however, suddenly Shanti realizes she is “good at making anywhere feel like home. / Especially here. / In the space between cultures.” Kolkata-born, Australia-based Naidu’s illustrations are light and full of motion, reinforcing both the book’s tone and its content. Shanti’s expressions, including wonder, frustration, and exhaustion, are particularly emotive. In an author’s note, Perkins explains that such code-switching was exhausting to her as a new immigrant but acknowledges it as a gift as an adult. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 9% of actual size.)

The book will appeal particularly to children and families navigating this space between cultures. (glossary) (Picture book. 5-8)

Pub Date: Feb. 23, 2021

ISBN: 978-0-374-30367-9

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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HELLO, SUN!

Say hello to a relatable and rewarding early reader!

Fun with friends makes for a great day.

Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”

Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)

Pub Date: Jan. 7, 2025

ISBN: 9780593646212

Page Count: 48

Publisher: Seuss Studios

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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