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A WISH TOO DARK AND KIND

A well-written, conceptually dense fantasy that’s demanding in its details.

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A self-styled prince invites several immortals to a mysterious party in this fantasy debut.

Councilor Alex Dryden is an immortal witch who works at the School of Winchester. The academy specializes in teaching gifted children, and one day she stands before a class to demonstrate “magick.” But for Alex, magick is the manipulation of “tellur,” the invisible energy network that constitutes reality. When a dangerous fae specimen runs amok in a school lab, Alex helps subdue the creature. She’s then summoned to headmaster Tylanus Spencer’s office. He explains that she’s been invited to the palace of Arnaud Demeure in Paris. Demeure is famous for granting wishes, so Alex can’t refuse. Meanwhile in New Orleans, Hermann Walker, an immortal “Wurdulac” who’s in “communion with his inner wolf,” is likewise invited by Demeure to Paris. Eventually, eight fantastical individuals—Alex, Hermann, Daniel Cortese, Leto Sieberg, Aylin Van Vloed, Ioniţă “Ioan” Sturdza, Celeste Moreau, and a man named Roman—are teleported “away from the physical plane” to a kind of chapel between layers of reality. Outside the chapel is a freezing wasteland. Alex, being versed in physics and using her third eye, determines that they are in a Schwarzschild box, or “a singularity in the quintessential field.” When Demeure finally arrives, he reveals himself to be the philosopher Descartes. He brings the guests into his palace, which they may enjoy for “one or two nights” until his wedding. Yet the more Alex peers into Demeure’s elaborate illusions, the more she suspects the group is trapped and about to be sacrificed in a world-breaking ritual.

Blackbird’s ambitious tale infuses elements of horror, traditional fantasy, and quantum physics into a challenging mélange. The novel’s structure may divide his audience into those who enjoy a fragmented narrative that builds its larger picture slowly and those who don’t. The opening scenes that introduce Alex, with flashbacks to immortal activity in prior centuries, speak to intellectually agile storytelling. But the entrance of other characters onto the stage is less sure-footed. Hermann, for example, listens to old tapes of his therapy sessions that add murkiness to events before readers know what’s happening. His therapist, Dr. R.J. Millard, says, “There is something in the way he sees things, and perceives the world around him, such a level of depth and speed that I can’t follow.” After the characters finally meet one another, the narrative streamlines with clear explanations. The Schwarzschild box, for example, can “tamper with reality, create rooms, even people, and push you deeper inside every time you try to escape.” The stakes rise when it’s discovered that Demeure’s ritual will pierce “the sky, quite literally making a hole in our world to let other worlds, the higher planes, leak into this one.” Horror fans will rejoice when action breaks out in the book’s final third and “new eyes, of a golden yellow, emerged from underneath Daniel’s usual gray ones. The skin on his face ripped and a thick black fur emerged from under the cuts.” But with strident explorations of science, religion, and philosophy, Blackbird’s story may leave casual fantasy fans begging for less.

A well-written, conceptually dense fantasy that’s demanding in its details.

Pub Date: N/A

ISBN: 978-1-73701-922-0

Page Count: 376

Publisher: Little Blackbird LLC

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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