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MY HAIR IS MAGIC!

Name: MY HAIR IS MAGIC!
Author: M.L. Marroquin
ISBN: 978-1-62414-981-8

by M.L. Marroquin ; illustrated by Tonya Engel ‧ RELEASE DATE: Oct. 6, 2020

This uplifting, body-positive story will empower kids with highly textured hair to take pride in every inch of it.

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If hair could talk, this little brown-skinned girl’s exuberant Afro would have a lot to say.

This picture book’s unnamed first-person protagonist is constantly asked, “Why is your hair so BIG?” To which she answers, “Why isn’t yours?” Centering her own beauty and the uniqueness of her hair, she recounts, in verse, how people touch her hair and ask her other persistent, microaggressive questions. Appearing differently on every page—an accurate reflection of the versatility of highly textured hair—her magical locks are never the same color twice, exhibiting as much verve and life as the wearer does herself. In some illustrations, the little girl’s hair dominates the page; sometimes her coils emit music; sometimes they are composed of stylized, multicolored clouds or resemble rolling ocean waves in blues and greens. Engel’s rich, sometimes surreal illustrations abound with textures and colors—deep purples, royal blues, sunny yellows—that embody the protagonist’s unique personality. The creators’ notes indicate that both Marroquin and Engel have personal connections with hair that attracts a lot of attention. Engel even notes that, in her childhood, school bylaws required straightened hair. An excellent addition to a growing genre.

This uplifting, body-positive story will empower kids with highly textured hair to take pride in every inch of it. (Picture book. 3-7)

Pub Date: Oct. 6, 2020

ISBN: 978-1-62414-981-8

Page Count: 32

Publisher: Page Street

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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by Tish Rabe ; illustrated by Jim Valeri

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ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

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FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)