by Mohammed Javed ‧ RELEASE DATE: Oct. 30, 2019
An often formidable read about an activist immigrant’s experience.
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A debut memoir and political treatise by an Indian-born, Muslim immigrant to Canada.
In a foreword, retired engineer Javed begins his book with a powerful denunciation of “genocidal” U.S.–led sanctions against Iraq and the Second Gulf War. These sanctions, and subsequent war and occupation, were “the real weapon of mass destruction,” the author says, which “deprived innocent children of their right to live, play, and love.” Much of the rest of the book centers on Javed’s human rights activism in Canada and the United States from the mid-1990s onward, particularly his work with the Nova Scotia Campaign to End Iraq Sanctions. This work brought him in close proximity to leading Canadian figures, including Jamal Badawi, a professor emeritus at Saint Mary’s University in Halifax; Canadian Parliament member Svend Robinson; and Canadian Prime Minister Justin Trudeau. Many chapters focus on human rights abuses in Iraq and Islamophobia in the West, but the author weaves together international and domestic political history with his own personal story. As such, Javed’s book doubles as a powerful memoir of a self-made immigrant. He tells of his upbringing in India and includes brutally honest accounts of being sexual abused by fellow students in his late teens. He also tells of his search for work in Saudi Arabia, Canada, and the United States. He eventually became a successful engineer who helped build the new San Francisco–Oakland Bay Bridge, but Javed also effectively recounts the hardships of his initial, failed laundromat business and other entrepreneurial ventures as well as his victimization at the hands of con artists eager to prey upon vulnerable immigrants. Overall, Javed writes in clear, evocative prose throughout and shows himself to be unafraid to denounce the West while also praising the opportunities provided by Canada. This strong narrative, however, is often broken up by inserted photocopies of correspondence, letters to newspaper editors, and emails related to his political activism. Although these are valuable primary sources, the documents’ tedious nature interrupts an otherwise seamless narrative flow, and they would have been better placed in an appendix.
An often formidable read about an activist immigrant’s experience.Pub Date: Oct. 30, 2019
ISBN: 978-1-5255-4207-7
Page Count: 162
Publisher: FriesenPress
Review Posted Online: May 27, 2020
Review Program: Kirkus Indie
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by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
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New York Times Bestseller
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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SEEN & HEARD
by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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