A pleasant and powerful account of faith and family.
The daughter of a Swedish immigrant explores home and community in this family history/memoir.
In 1907, Karl Johan Artur Gustafsson was about to leave Torsås, Sweden, for good. Though the 17-year-old boy was extremely close to his mother, Ingrid, and had a lot of love for the small town where he was born and raised, Karl also knew that opportunities—and money—were extremely limited in “this poverty-stricken area.” Karl would follow his older siblings to America, a “strange faraway place” but, as he understood it, one full of possibilities. After a celebratory send-off and with the knowledge that he likely would never see Ingrid again—along with the secret that he never knew who his father was—Karl journeyed to the larger city of Sölvesborg, to work and save money, and then to the United States three years later. Karl, whose name was changed to Carl Arthur Gustafson on Ellis Island, was happy to reconnect with his siblings. He quickly settled in Bristol, Connecticut, graduating from college, attending service at the local Lutheran church, and falling head over heels for his landlord’s daughter, intelligent and driven Jennie Anderson. In 1917, Jennie and Carl married and, over the years, had three children: a son, Harvey; and two daughters, Thelma and the author. They built a home at 187 Stafford Ave. in 1929, and the next five decades were full of war, hardship, joy, and triumph for the immigrant and his family. In this engaging book, Mona Gustafson writes of her mother, father, and siblings—as well as herself as the youngest child in the family—in the third person. The author includes photographs of key figures and locations along with high school and college yearbooks and newspaper clippings of weddings, farewell parties, and graduations. This rich material grounds the novelistic account in events both historical (the Depression, two world wars, and Vietnam, among them) and everyday (college acceptances, anniversaries, and proms). While lengthy, spanning almost 50 years and running nearly 500 pages, the potent story of the Gustafsons is also the story of America, a land populated with the descendants of hopeful immigrants in search of a better world.
A pleasant and powerful account of faith and family.Pub Date: Aug. 18, 2020
ISBN: 9781950743292
Page Count: 486
Publisher: Wisdom Editions
Review Posted Online: July 7, 2023
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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