A satisfying family story that weaves together cultural practices and intergenerational connections.
A spunky introduction to the origin and customs of Japan’s Star Festival.
Keiko, a young Japanese girl, is so excited to experience her fifth Tanabata Matsuri, which will also be her grandmother’s 85th. Her mother tries to help Keiko behave, but Oba understands Keiko’s bright enthusiasm. Together they all dress up in summer kimonos, put on their geta (one of the sandals falls off of Keiko’s foot), and make their way to the festival. Oba recounts the folktale behind the festival, in which two stars fell in love and neglected their duties, causing the Emperor of the Heavens to prevent them from seeing each other. At the festival, Keiko marvels at the taiko drums, streamers, and slippery noodles. Suddenly, Mama notices that Oba is missing! The merry chaos of the festival impedes Mama and Keiko as they frantically search. When at last they reunite, they share the wishes they have made and return home after an eventful day. Themes from the folk story are woven into this family tale, the expressive text seamlessly incorporating Japanese words into the narrative and dialogue. Backmatter includes the story of Tanabata Matsuri as well as information about food, decorations, and instructions on creating a tanzaku for wish making. The warm, rich palette alternates between deep hues of blue and red and more muted pastels, with a particularly eye-catching spread of fireworks.
A satisfying family story that weaves together cultural practices and intergenerational connections. (Picture book. 4-7)Pub Date: April 1, 2021
ISBN: 978-0-8075-7595-6
Page Count: 32
Publisher: Whitman
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In the market for an understated Christmas classic? Behold! A Christmas miracle!
A dynamic picture-book duo turn their attention to one of the great mysteries of our time.
For those literal-minded children out there, this book serves to answer some essential questions about basic Santa-related logistics. We all know that Santa is supposed to go down the chimney to deliver gifts, but how? “Does he cinch up his belt? Or shrink himself down to the size of a mouse?” That particular speculation is accompanied by an image of a small Santa standing on the edge of a chimney looking down into the abyss. Synched perfectly with Barnett’s gentle yet hilarious questions and often silly propositions (“Or does he slip through the pipes and come out of your faucet?”), Klassen’s tan-skinned Santa is as funny and expressionless as a bearded Buster Keaton. Curiosity runs wild as Barnett ponders everything from Santa doing the laundry in children’s basements to his ability to get along with every household dog he meets, while Klassen’s there to bring each possibility to life. Don’t look for any definitive answers in this story, though. As the last line states, “Santa goes up the chimney the same way he comes down. And I have no idea how Santa does that. But I’m so glad he can.” For all that it leans heavily on absurdity, this book exhibits some serious heart. (This book was reviewed digitally.)
In the market for an understated Christmas classic? Behold! A Christmas miracle! (Picture book. 4-7)Pub Date: Sept. 12, 2023
ISBN: 9781536223767
Page Count: 32
Publisher: Candlewick
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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